That 70s Show hyde

Directed by David Trainer. With Topher Grace, Mila Kunis, Ashton Kutcher, Danny Masterson. Hyde meets a girl who asks him to go to New York with her. The Los Angeles District Attorney on Wednesday announced three counts of rape against actor Daniel Masterson, who appeared on “That 70′s Show” as Steven Hyde and most recently on “The ... The actor played Steven Hyde in “That ’70s Show” between 1998 and 2006 and starred in the Netflix comedy “The Ranch” before he was fired in 2017. In a statement, Masterson’s lawyer ... Actor Daniel Masterson, most commonly known for his roles as Steven Hyde in That '70s Show and Jameson 'Rooster' Bennett in The Ranch, was charged Wednesday with forcibly raping three women, the ... Steven Hyde is a main character on FOX comedy That'70s Show. He is portrayed by Danny Masterson. Steven Hyde is the illegitimate son of William Barnett and Edna Hyde, legal son of Bud Hyde, and the foster son of Red and Kitty Forman. Hyde represents the adolescent of the seventies that was suspicious of government and organizations. In the first couple of episodes of the first season, Hyde was ... Steven James Hyde (born c. November 28, 1959) is a fictional character from FOX Networks' That'70s Show played by Danny Masterson. He is Eric Forman's (Topher Grace) best friend and by the end of season one, his de facto adopted brother. Hyde represents the adolescent of the seventies that was suspicious of government and organizations Hyde was abandoned by his mother, (Katey Sagal), who only ...

Dracula 2000

2020.09.25 21:29 Deboche Dracula 2000

How is this not a cult movie?
Look at this random cast: Gerard Butler, Nathan Fillion, Hyde from That 70s Show, Foreman from House MD, the guy from Trainspotting and Jeri Ryan
It feels like someone wrote a great vampire movie then it got butchered to turn into an ad for Virgin.
The whole movie is a series of amazing ideas followed by really stupid ones. It can't even make up its mind about whether it's set in the USA or Britain.
So if you're into B movies, cult movies or 90's nostalgia, this has it all.
Also, if you liked Queen Of The Damned, you'll see a lot of the same exact stuff here. Except Queen Of The Damend did a much better job in a lot of ways and screwed up in a lot of different ones.
submitted by Deboche to MovieSuggestions [link] [comments]


2020.09.19 17:29 tombstoneshadows28 Turner Classic Movies (U.S.) Schedule for October, 2020 (All times E.S.T.)

Thursday, October 01, 2020
(12:00 AM) (drama) Up The Down Staircase (1967/124 m/Robert Mulligan)
(2:15 AM) (comedy) Our Miss Brooks (1956/85 m/Al Lewis)
(4:00 AM) (drama)The Corn Is Green (1945/114 m/Irving Rapper)
(6:00 AM) (comedy) Girl He Left Behind (1956/103 m/David Butler)
(8:00 AM) (war) Lafayette Escadrille (1958/93 m/William A. Wellman)
(9:45 AM) (comedy) Dondi (1961/100 m/Albert Zugsmith) '
(11:30 AM) (epic) The Shoes of the Fisherman (1968/162 m/Michael Anderson)
(2:15 PM) (crime) Ring of Fire (1961/91 m/Andrew L. Stone)
(4:00 PM) (suspense) Twenty Plus Two (1961/103 m/Joseph M. Newman)
(5:45 PM) (horror) Marooned (1969/129 m/John Sturges)
(8:00 PM) (drama) La Strada (1954/108 m/Federico Fellini)
(10:00 PM) (romance) Two for the Road (1967/111 m/Stanley Donen)
Friday, October 02, 2020
(12:00 AM) (romance) Dodsworth (1936/101 m/William Wyler)
(2:00 AM) (documentary) The Memphis Belle: A Story of a Flying Fortress (1944/40 m/Lt. Col. William Wyler)
(3:00 AM) (drama) Black Girl (1966/60 m/Ousmane Sembene)
(4:15 AM) (drama) The Music Room (1958/99 m/Satyajit Ray)
(6:00 AM) (comedy) Go West (1940/80 m/Edward Buzzell)
(7:45 AM) (comedy) The Big Store (1941/83 m/Charles Riesner)
(9:30 AM) (comedy) Double Dynamite (1951/81 m/Irving Cummings)
(11:00 AM) (comedy) Girl In Every Port (1952/86 m/Chester Erskine)
(12:30 PM) (comedy) A Day at the Races (1937/109 m/Sam Wood)
(2:30 PM) (comedy) At the Circus (1939/87 m/Edward Buzzell)
(4:15 PM) (comedy) A Night at the Opera (1935/91 m/Sam Wood)
(6:00 PM) (epic) The Story of Mankind (1957/100 m/Irwin Allen)
(8:00 PM) (horror) Dracula (1931/74m/Tod Browning)
(9:30 PM) (suspense) Cat People (1942/73 m/Jacques Tourneur)
(11:00 PM) (horror) House on Haunted Hill (1958/75 m/William Castle)
Saturday, October 03, 2020
(12:30 AM) (horror) The Haunting (1963/112 m/Robert Wise)
(3:45 AM) (premiere) Wigstock: The Movie (1995/85 m/Barry Shils)
(5:15 AM) (short) The Relaxed Wife (1957/13 m/?)
(5:15 AM) (short) Time Out for Trouble (1961/19m/David S. Glidden)
(6:00 AM) (comedy) Million Dollar Baby (1941/101 m/Curtis Bernhardt)
(8:00 AM) (premiere) MGM CARTOONS: The Peachy Cobbler (1950/7 m/Fred (Tex) Avery)
(8:08 AM) (short) Phonies Beware! (1956/8 m/Larry O'Reilly)
(8:17 AM) (short) Night Life in Chicago (1948/9 m/?)
(8:27 AM) (premiere) Arctic Fury (1949/61 m/Norman Dawn)
(9:30 AM) (premiere) THE WILD WEST DAYS: Redskins’ Revenge (1937/?/?)
(10:00 AM) (premiere) POPEYE: Baby Wants a Bottleship (1942/7 m/Dave Fleischer)
(10:08 AM) (adventure) Safari Drums (1953/71 m/Ford Beebe)
(11:30 AM) (documentary) Alaska Lifeboat (1956/21 m/Herbert Morgan)
(12:00 PM) (drama) The Prince and the Pauper (1937/118 m/William Keighley)
(2:15 PM) (crime) Key Largo (1948/100 m/John Huston)
(4:15 PM) The Defiant Ones (1958/96 m/Stanley Kramer)
(6:00 PM) (romance) The Thomas Crown Affair (1968/102 m/Norman Jewison)
(8:00 PM) (epic) Lawrence of Arabia (1962/227 m/David Lean)
Sunday, October 04, 2020
(12:00 AM) (crime) Where the Sidewalk Ends (1950/95 m/Otto Preminger)
(2:00 AM) (western) Across the Wide Missouri (1951/78 m/William Wellman)
(3:30 AM) (musical) On An Island With You (1948/108 m/Richard Thorpe)
(5:30 AM) (short) Inflation (1942/17 m/Cy Endfield)
(6:00 AM) (romance) The Last of Mrs. Cheyney (1937/98 m/Richard Boleslawski)
(7:45 AM) (romance) Humoresque (1946/124 m/Jean Negulesco)
(10:00 AM) (crime) Where the Sidewalk Ends (1950/95 m/Otto Preminger)
(12:00 PM) (comedy) Mr. Belvedere Goes to College (1949/83 m/Elliott Nugent)
(1:30 PM) (comedy) The Women (1939/133 m/George Cukor)
(4:00 PM) (musical) Bye Bye Birdie (1963/112 m/George Sidney)
(6:00 PM) (documentary) The Great Buster: A Celebration (2018/101 m/Peter Bogdanovich)
(8:00 PM) (silent) Sherlock Jr. (1924/46 m/Buster Keaton)
(9:00 PM) (silent) The General (1927/79 m/Buster Keaton)
(10:30 PM) (silent) Steamboat Bill Jr. (1928/71 m/Charles F. Reisner)
Monday, October 05, 2020
(12:00 AM) (silent) Seven Chances (1925/57 m/Buster Keaton)
(2:00 AM) (drama) Viridiana (1961/91 m/Luis Buñuel)
(3:45 AM) (drama) The Exterminating Angel (1962/92 m/Luis Buñuel)
(5:30 AM) (documentary) MGM Parade Show #5 (1955/26 m/?)
(6:00 AM) (musical) Roberta (1935/106 m/William A. Seiter)
(8:00 AM) (musical) Fashions of 1934 (1934/78 m/William Dieterle)
(9:30 AM) (drama) Stolen Holiday (1937/80 m/Michael Curtiz)
(11:00 AM) (comedy) Designing Woman (1957/118 m/Vincente Minnelli)
(1:00 PM) (comedy) Made in Paris (1966/103 m/Boris Sagal)
(2:45 PM) (romance) A Place for Lovers (1969/88 m/Vittorio De Sica)
(4:30 PM) (horror) Blood and Black Lace (1964/88 m/Mario Bava)
(6:00 PM) (suspense) Lured (1947/103 m/Douglas Sirk)
(8:00 PM) (crime) Cash on Demand (1961/80 min/Quentin Lawrence)
(9:30 PM) (romance) The End of the Affair (1955/106 m/Edward Dmytryk)
(11:30 PM) (crime) Time Without Pity (1957/85 m/Joseph Losey)
Tuesday, October 06, 2020
(1:15 AM) (adventure) John Paul Jones (1959/126 m/John Farrow)
(3:30 AM) (drama) Hamlet (1948/154 m/Laurence Olivier)
(6:15 AM) (comedy) A Chump at Oxford (1940/63 m/Alfred Goulding)
(7:30 AM) (drama) Vigil in the Night (1940/102 m/George Stevens)
(9:15 AM) (comedy) The Gay Bride (1934/80 m/Jack Conway)
(10:45 AM) (musical) Swing High, Swing Low (1937/83 m/Mitchell Leisen)
(12:15 PM) (comedy) Love Before Breakfast (1936/70 m/Walter Lang)
(1:30 PM) (comedy) Nothing Sacred (1937/74 m/William A. Wellman)
(3:00 PM) (comedy) Mr. and Mrs. Smith (1941/95 m/Alfred Hitchcock)
(4:45 PM) (comedy) To Be or Not to Be (1942/99 m/Ernst Lubitsch)
(6:30 PM) (documentary) The Golden Age of Comedy (1957/79 m/various)
(8:00 PM) (premiere) Women Make Film: A New Road Movie Through Cinema (episode 6) (2019/60 m/Mark Cousins)
(9:15 PM) (drama) The Ascent (1977/109 m/Larisa Sheptiko)
(11:15 PM) (documentary) Women Make Film: A New Road Movie Through Cinema (episode 6) (2019/60 m/Mark Cousins)
Wednesday, October 07, 2020
(12:30 AM) Meek's Cutoff (2010/104 m/Kelly Reichardt)
(2:30 AM) (premiere) Cameraperson (2016/103 m/Kirsten Johnson)
(4:30 AM) (comedy) Daisies (1966/76 m/Vera Chytilová)
(9:15 AM) (drama) The Journey (1959/126 m/Anatole Litvak)
(11:30 AM) (drama) The Squall (1929/102 mAlexander Korda)
(1:30 PM) (short) Beautiful Budapest (1938/9 m/?)
(1:45 PM) (short) Rural Hungary (1939/9 m/James A. FitzPatrick)
(2:00 PM) (drama) Fight For Your Lady (1938/66 m/Ben Stoloff)
(3:15 PM) (drama) Storm at Daybreak (1933/79 m/Richard Boleslavsky)
(4:45 PM) (romance) The Shop Around the Corner (1940/99 m/Ernst Lubitsch)
(6:30 PM) (musical) One Heavenly Night (1930/80 m/Geo. Fitzmaurice)
(8:00 PM) (comedy) No Time For Sergeants (1958/119 m/Mervyn LeRoy)
(10:15 PM) (drama) A Face in the Crowd (1957/126 m/Elia Kazan)
Thursday, October 08, 2020
(12:30 AM) (western) Hearts of the West (1975/102 m/Howard Zieff)
(2:30 AM) (comedy) Onionhead (1958/110 m/Norman Taurog)
(4:30 AM) (comedy) Thunder Afloat (1939/95 m/George B. Seitz)
(6:15 AM) (crime) The Public Enemy (1931/84 m/William A. Wellman)
(8:15 AM) (romance) Red-Headed Woman (1932/79 m/Jack Conway)
(9:45 AM) (comedy) Dinner at Eight (1933/111 m/George Cukor)
(11:45 AM) (comedy) Saratoga (1937/92 m/Jack Conway)
(1:30 PM) (romance) Hold Your Man (1933/87 m/Sam Wood)
(3:15 PM) (romance) Red Dust (1932/83 m/Victor Fleming)
(4:45 PM) (comedy) Personal Property (1937/84 m/W. S. Van Dyke II)
(6:15 PM) (comedy) Bombshell (1933/96 m/Victor Fleming)
(8:00 PM) (comedy) The Front Page (1931/101 m/Lewis Milestone)
(10:00 PM) (suspense) Detour (1945/68 m/Edgar G. Ulmer)
(11:30 PM) (drama) The Man with the Golden Arm (1956/119m/Otto Preminger)
Friday, October 09, 2020
(1:45 AM) (romance) Love Affair (1939/88 m/Leo McCarey)
(3:30 AM) (crime) A Brighter Summer Day (1991/237 m/Edward Yang)
(7:00 AM) (short) Alice in Movieland (1940/22 m/Jean Negulesco)
(7:45 AM) (drama) Nora Prentiss (1947/111 m/Vincent Sherman)
(9:45 AM) (crime) Born to Kill (1947/92 m/Robert Wise)
(11:30 AM) (drama) Dark Passage (1947/106 m/Delmer Daves)
(1:30 PM) (suspense) Out of the Past (1947/97 m/Jacques Tourneur)
(3:15 PM) (crime) Race Street (1948/79 m/Edwin L. Marin)
(4:45 PM) (suspense) Impact (1949/111 m/Arthur Lubin)
(6:45 PM) (suspense) The Woman On Pier 13 (1950/73 m/Robert Stevenson)
8:00 PM) (horror) The Ghoul (1933/81 m/T. Hayes Hunter)
(9:30 PM) (horror) The Black Sleep (1956/82 m/Reginald LeBorg)
(11:00 PM) (horror) Mark of the Vampire (1935/60 m/Tod Browning)
Saturday, October 10, 2020
(12:15 AM) (horror) Night of the Living Dead (1968/96 m/George A. Romero)
(2:00 AM) (adventure) White Lightning (1973/101 m/Joseph Sargent)
(3:45 AM) (drama) Gator (1976/116 m/Burt Reynolds)
(5:45 AM) (short) The Corvair in Action! (1960/6 m/?)
(6:00 AM) (musical) The Opposite Sex (1956/116 m/David Miller)
(8:00 AM) (premiere) MGM Cartoons: Red Hot Riding Hood (1943/7 m/Fred (Tex) Avery)
(8:09 AM) (short) Fortune Seekers (1956/8 m/Larry O'Reilly)
(8:18 AM) (documentary) Historic Maryland (1941/8 m/?)
(8:27 AM) (drama) Men of the North (1930/61 m/Hal Roach)
(9:30 AM) (premiere) THE WILD WEST DAYS: Brink of Doom (1937/?/?)
(10:00 AM) (premiere) POPEYE: Alona the Sarong Seas (1942/7 m/Dave Fleischer)
(10:08 AM) (premiere) The Golden Idol (1954/71 m/Ford Beebe)\
(11:30 AM) (comedy) King Of The Islands (1935/17 m/Ralph Staub)
. (12:00 PM) (adventure) Tarzan The Ape Man (1932/100 m/W. S. Van Dyke II)
(2:00 PM) (musical) Lili (1953/81 m/Charles Walters)
(3:30 PM) (comedy) Casino Royale (1967/131 m/John Huston, et. al.)
(6:00 PM) (musical) Top Hat (1935/100 m/Mark Sandrich)
(8:00 PM) (adventure) Gunga Din (1939/117 m/George Stevens)
(10:15 PM) (adventure) The Three Musketeers (1948/126 m/George Sidney)
Sunday, October 11, 2020
(12:30 AM) (crime) The Racket (1951/89 m/John Cromwell)
(2:30 AM) (comedy) Bananas (1971/82 m/Woody Allen)
(4:00 AM) (comedy) Hannah and Her Sisters (1986/107 m/Woody Allen)
(6:00 AM) (comedy) A Midsummer Night's Dream (1935/143 m/Max Reinhardt)
(8:30 AM) (drama) Journey For Margaret (1942/81 m/Major W. S. Van Dyke II)
(10:00 AM) (crime) The Racket (1951/89 m/John Cromwell)
(12:00 PM) (drama) Sounder (1972/105 m/Martin Ritt)
(2:00 PM) (drama) The Secret Garden (1949/92 m/Fred M. Wilcox)
(3:45 PM) (drama) The Catered Affair (1956/94 m/Richard Brooks)
(5:30 PM) (musical) Flower Drum Song (1961/131 m/Henry Koster)
(8:00 PM) (comedy) The Front Page (1974/105 m/Billy Wilder)
(10:00 PM) (comedy) The Fortune Cookie (1966/126 m/Billy Wilder)
Monday, October 12, 2020
(12:15 AM) (comedy) Sidewalk Stories (1989/99 m/Charles Lane)
(2:15 AM) (comedy) The Firemen's Ball (1967/73 m/Milos Forman)
(3:45 AM) (premiere) All My Good Countrymen (1968/126 m/Vojtěch Jasný)
(6:00 AM) (horror) The Reptile (1966/90 m/John Gilling)
(7:45 AM) (horror) The Killer Shrews (1959/68 m/Ray Kellogg)
(9:00 AM) (horror) King Kong (1933/104 m/Merian C. Cooper)
(11:00 AM) (horror) The Beast From 20,000 Fathoms (1953/80 m/Eugene Lourié)
(12:30 PM) (horror) Gojira (1954/96 m/Ishiro Honda)
(2:00 PM) (horror) Creature from the Black Lagoon (1954/79 m/Jack Arnold)
(3:30 PM) (horror) Creature from the Haunted Sea (1961/59 m/Roger Corman)
(4:45 PM) (horror) The Green Slime (1969/90 m/Kinji Fukasaku)
(6:30 PM) (horror) Night of the Lepus (1972/88 m/William F. Claxton)
(8:00 PM) (adventure) Sword of Sherwood Forest (1960/80 m/Terence Fisher)
(11:00 PM) (horror) Daleks - Invasion Earth 2150 A.D. (1966/81 m/Gordon Flemyng)
Tuesday, October 13, 2020
(12:30 AM) (adventure) She (1965/106 m/Robert Day)
(2:30 AM) (crime) Violent Playground (1958/106 m/Basil Dearden)
(4:30 AM) (premiere) In Saigon: Some May Live (1967/89 m/Vernon Sewell)
(6:00 AM) (drama) Devotion (1931/81 m/Robert Milton)
(7:30 AM) (comedy) The Runaway Bus (1954/74 m/Val Guest)
(9:00 AM) (crime) The Solitaire Man (1933/67 m/Jack Conway)
(10:30 AM) (suspense) Blind Adventure (1933/63 m/Ernest B. Schoedsack)
(11:45 AM) (musical) Double Trouble (1967/92 m/Norman Taurog)
(1:30 PM) (romance) A Warm December (1972/101 m/Sidney Poitier)
(3:30 PM) (drama) The V.I.P.S (1963/119 m/Anthony Asquith)
(5:45 PM) (comedy) The Prince and the Showgirl (1957/117 m/Laurence Olivier)
(8:00 PM) (premiere) Women Make Film: A New Road Movie Through Cinema (episode 7) (2019/60 m/Mark Cousins)
(11:00 PM) (documentary) Women Make Film: A New Road Movie Through Cinema (episode 7) (2019/60 m/Mark Cousins)
Wednesday, October 14, 2020
(2:00 AM) (documentary) The House Is Black (1963/22 m/?)
(2:30 AM) (romance) First Love (1977/91 m/Joan Darling)
(4:15 AM) (drama) The Night Porter (1974/118 m/Liliana Cavani)
(6:30 AM) (drama) Le Bonheur (1965/80 m/Agnes Varda)
(10:15 AM) (silent) The Unholy Three (1925/86 m/Tod Browning)
(12:00 PM) (silent) The Unknown (1927/49 m/Tod Browning)
(1:00 PM) (silent) The Blackbird (1926/86 m/Tod Browning)
(2:30 PM) (horror) The Thirteenth Chair (1929/73 m/Tod Browning)
(4:00 PM) (horror) Freaks (1932/62 m/Tod Browning)
(5:15 PM) (horror) Mark of the Vampire (1935/60 m/Tod Browning)
(6:30 PM) (horror) The Devil-Doll (1936/78 m/Tod Browning)
(8:00 PM) (drama) Abe Lincoln in Illinois (1940/110 m/John Cromwell)
(10:00 PM) (drama) Sunrise at Campobello (1960/144 m/Vincent J. Donehue)
Thursday, October 15, 2020
(12:45 AM) (drama) Wilson (1944/154 m/Henry King)
(3:30 AM) (war) PT 109 (1963/140 m/Leslie H. Martinson) .
(6:00 AM) (comedy) Three Men on a Horse (1936/86 m/Mervyn LeRoy)
(7:30 AM) (crime) Unholy Partners (1941/94 m/Mervyn LeRoy)
(9:15 AM) (musical) Sweet Adeline (1935/88 m/Mervyn Le Roy)
(11:00 AM) (comedy) Happiness Ahead (1934/86 m/Mervyn Le Roy)
(12:30 PM) (drama) Big City Blues (1932/63 m/Mervyn LeRoy)
(1:45 PM) (suspense) The Bad Seed (1956/129 m/Mervyn LeRoy)
(4:00 PM) (drama) They Won't Forget (1937/95 m/Mervyn LeRoy)
(5:45 PM) (romance) Random Harvest (1942/126 m/Mervyn LeRoy)
(8:00 PM) (war) Tunes of Glory (1960/107 m/Ronald Neame)
(10:00 PM) (war) The Life and Death of Colonel Blimp (1943/164 m/Michael Powell)
Friday, October 16, 2020
(1:00 AM) (war) The Seventh Cross (1944/112 m/Fred Zinnemann)
(3:00 AM) (drama) The Diary of Anne Frank (1959/180 m/George Stevens)
(6:15 AM) (documentary) Trances (1981/89 m/Ahmed El Maanouni)
(8:00 AM) (comedy) Little Shop of Horrors (1960/72 m/Roger Corman)
(9:15 AM) (horror) Village of the Damned (1960/77 m/Wolf Rilla)
(10:45 AM) (horror) The Brain That Wouldn't Die (1962/82 m/Joseph Green)
(12:15 PM) (horror) Carnival of Souls (1962/78 m/Herk Harvey)
(1:45 PM) (horror) Dementia 13 (1963/75 m/Francis Ford Coppola)
(3:15 PM) (horror) The Raven (1963/86 m/Roger Corman)
(4:45 PM) (horror) Spider Baby (1964/84 m/Jack Hill)
(6:15 PM) (horror) The Nanny (1965/93 m/Seth Holt)
(8:00 PM) (horror) Dead of Night (1945/103 m/Alberto Cavalcanti, Basil Dearden, Robert Hamer, Charles Crichton)
(10:00 PM) (horror) Twice-Told Tales (1963/120 m/Sidney Salkow)
Saturday, October 17, 2020
(12:15 AM) (horror) Black Sabbath (1963/96 m/Mario Bava)
(2:00 AM) (premiere) Enter the Ninja (1981/99 m/Menahem Golan)
(3:45 AM) (premiere) Revenge of the Ninja (1983/?/Sam Firstenberg)
(5:30 AM) (short) Shake Hands With Danger (1970/23 m/?)
(6:00 AM) (war) The Password Is Courage (1962/115 m/Andrew L. Stone)
(8:00 AM) MGM CARTOONS: Sheep Wrecked (1958/6 m/Michael Lah)
(8:08 AM) (documentary) Cave Explorers (1957/8 m/Heinz Scheiderbauer)
(8:17 AM) (short) The Capital City Washington, D.C. (1940/9 m/?)
(8:27 AM) (drama) She Loved A Fireman (1937/58 m/John Farrow)
(9:30 AM) (premiere) The WILD WEST DAYS: Indians Are Coming (1937/?/?)
(10:00 AM) (premiere) POPEYE: A Hull of a Mess (1942/6 m/Dave Fleischer)
(10:08 AM) (adventure) Lord of the Jungle (1955/69 m/Ford Beebe)
(11:30 AM) (short) Kissing Time (1933/22 m/Roy Mack)
(12:00 PM) (western) Angel And The Badman (1947/100 m/James Edward Grant)
(1:45 PM) (adventure) Captain Horatio Hornblower (1951/117 m/Raoul Walsh)
(4:00 PM) (comedy) Support Your Local Sheriff! (1969/93 m/Burt Kennedy)
(5:45 PM) (horror) Rollerball (1975/125 m/Norman Jewison)
(8:00 PM) (musical) Singin' in the Rain (1952/103 m/Gene Kelly)
(10:00 PM) (musical) Summer Stock (1950/109 m/Charles Walters)
Sunday, October 18, 2020
(12:00 AM) (crime) Destination Murder (1950/73 m/Edward L. Cahn)
(1:45 AM) (comedy) The Fearless Vampire Killers or Pardon Me, But Your Teeth Are in My Neck (1966/107 m/Roman Polanski)
(3:45 AM) (horror) House of Dark Shadows (1970/97 m/Dan Curtis)
(5:30 AM) (short) Return to Glennascaul (1953/24 m/Hilton Edwards)
(6:00 AM) (drama) The Life of Emile Zola (1937/116 m/William Dieterle)
(8:15 AM) (comedy) His Girl Friday (1940/92 m/Howard Hawks)
(10:00 AM) (crime) Destination Murder (1950/73 m/Edward L. Cahn)
(11:45 AM) (epic) The Good Earth (1937/138 m/Sidney Franklin)
(2:15 PM) (drama) Written on the Wind (1957/99 m/Douglas Sirk)
(4:00 PM) (romance) Dear Heart (1964/114 m/Delbert Mann)
(6:00 PM) (comedy) Peggy Sue Got Married (1986/105 m/Francis Ford Coppola)
(10:00 PM) (comedy) Losing Ground (1982/86 m/Kathleen Collins)
Monday, October 19, 2020
(12:00 AM) (silent) Exit Smiling (1926/77 m/Sam Taylor)
(2:00 AM) (premiere) I Am Waiting (1957/91 m/Koreyoshi Kurahara)
(3:45 AM) (premiere) A Colt Is My Passport (1967/84 m/Takashi Nomura) .
(5:30 AM) (documentary) MGM Parade Show #5 (1955/26 m/?)
(6:00 AM) (comedy) I Married a Witch (1942/77 m/René Clair)
(7:30 AM) (comedy) Mr. and Mrs. Smith (1941/95 m/Alfred Hitchcock)
(9:15 AM) (crime) Touch of Evil (1958/111 m/Orson Welles)
(11:30 AM) (adventure) Mogambo (1953/116 m/John Ford)
(1:45 PM) (suspense) North by Northwest (1959/136 m/Alfred Hitchcock)
(4:15 PM) (drama) In A Lonely Place (1950/93 m/Nicholas Ray)
(6:00 PM) (war) Any Number Can Play (1949/103 m/Mervyn LeRoy)
(8:00 PM) (suspense) The Hound of the Baskervilles (1959/87 m/Terence Fisher)
(9:30 PM) (horror) Horror of Dracula (1958/81 m/Terence Fisher)
(11:15 PM) (horror) The Mummy (1959/88 m/Terence Fisher)
(1:00 AM) (horror) The Curse of Frankenstein (1957/83 min/Terence Fisher)
(2:45 AM) (horror) Frankenstein Created Woman (1967/92 min/Terence Fisher)
(4:30 AM) (horror) Frankenstein Must Be Destroyed! (1970/101 m/Terence Fisher)
Tuesday, October 20, 2020
(6:15 AM) (comedy) Front Page Woman (1935/82 m/Michael Curtiz)
(7:45 AM) (romance) Wife Vs. Secretary (1936/88 m/Clarence Brown)
(9:30 AM) (suspense) Mr. And Mrs. North (1941/67 m/Robert B. Sinclair)
(10:45 AM) (comedy) Theodora Goes Wild (1936/94 m/Richard Boleslawski)
(12:30 PM) (comedy) Breakfast for Two (1937/68 m/Alfred Santell)
(1:45 PM) (comedy) Four's A Crowd (1938/92 m/Michael Curtiz)
(3:30 PM) (comedy) It's A Wonderful World (1939/86 m/W. S. Van Dyke II)
(5:00 PM) (comedy) Fools For Scandal (1938/80 m/Mervyn Le Roy)
(6:30 PM) (romance) Love on the Run (1936/80 m/W. S. Van Dyke)
(8:00 PM) (premiere) Women Make Film: A New Road Movie Through Cinema (episode 8) (2019/60 min/Mark Cousins)
(10:45 PM) (documentary) Women Make Film: A New Road Movie Through Cinema (episode 8) (2019/60 m/Mark Cousins)
Wednesday, October 21, 2020
(2:00 AM) (premiere) The Third Miracle (1999/119 m/Agnieszka Holland)
(7:45 AM) (short) The Birth, the Life and the Death of Christ (1906/34 m/Alice Guy-Blache)
(8:30 AM) (documentary) Araya (1959/83 m/Margot Benacerraf)
(10:00 AM) (drama) Children of a Lesser God (1986/119 m/Randa Haines)
(12:15 PM) (drama) Young Dr. Kildare (1938/82 m/Harold S. Bucquet)
(1:45 PM) (drama) Calling Dr. Kildare (1939/86 m/Harold S. Bucquet)
(3:30 PM) (drama) The Secret of Dr. Kildare (1939/84 m/Harold S. Bucquet)
(5:00 PM) (drama) Dr. Kildare Goes Home (1940/79 m/Harold S. Bucquet)
(6:30 PM) (drama) Dr. Kildare's Crisis (1940/75 m/Harold S. Bucquet)
(8:00 PM) (comedy) Hard To Handle (1933/78 m/Mervyn Le Roy)
(9:30 PM) (crime) The Beast of the City (1932/86 m/Charles Brabin)
(11:15 PM) (drama) One Way Passage (1932/67 m/Tay Garnett)
Thursday, October 22, 2020
(12:45 AM) (crime) They Live By Night (1948/95 m/Nicolas Ray)
(2:30 AM) (adventure) The Prisoner of Zenda (1952/100 m/Richard Thorpe)
(4:15 AM) (adventure) Green Fire (1955/100 m/Andrew Marton)
(6:00 AM) (adventure) Three Faces East (1930/71 m/Roy Del Ruth)
(7:30 AM) (drama) Born to Love (1932/81 m/Paul L. Stein)
(9:00 AM) (drama) The Common Law (1932/74 m/Paul L. Stein)
(10:30 AM) (drama) Rockabye (1932/68 m/George Cukor)
(11:45 AM) (drama) Bed of Roses (1933/ 67 /Gregory LaCava)
(1:00 PM) (drama) Our Betters (1933/83 m/George Cukor)
(2:30 PM) (comedy) Topper (1937/97 m/Norman Z. McLeod)
(4:15 PM) (comedy) Topper Takes a Trip (1939/80 m/Norman Z. McLeod)
(5:45 PM) (comedy) Merrily We Live (1938/95 m/Norman Z. McLeod)
(7:30 PM) (documentary) MGM Parade Show #5 (1955/26 m/?)
(8:00 PM) (crime) The Killers (1964/93 m/Donald Siegel)
(9:45 PM) (drama) The Breaking Point (1950/97 m/Michael Curtiz)
(11:30 PM) (horror) The Mystery Of The Wax Museum (1933/77 m/Michael Curtiz)
Friday, October 23, 2020
(1:00 AM) (horror) Night of the Living Dead (1968/96 m/George A. Romero)
(3:00 AM) (premiere) A River Called Titas (1973/158 m/Ritwik Ghatak)
(6:00 AM) (drama) Inside Straight (1951/87 m/Gerald Mayer)
(7:30 AM) (crime) Absolute Quiet (1936/70 m/George B. Seitz)
(8:45 AM) (drama) Chain Lightning (1950/95 m/Stuart Heisler)
(10:30 AM) (adventure) Tycoon (1947/129 m/Richard Wallace)
(12:45 PM) (drama) No Marriage Ties (1933/72 m/J. Walter Ruben)
(2:00 PM) (drama) Death of a Scoundrel (1956/120 m/Charles Martin)
(4:15 PM) (crime) Assignment To Kill (1968/99 m/Sheldon Reynolds)
(6:00 PM) (suspense) The Drowning Pool (1975/108 m/Stuart Rosenberg)
(8:00 PM) (horror) Pit and the Pendulum (1961/80 m/Roger Corman)
(9:45 PM) (horror) Spirits of the Dead (1968/121 m/Federico Fellini, Louis Malle, Roger Vadim)
Saturday, October 24, 2020
(12:00 AM) (horror) Murders In The Rue Morgue (1971/98 m/Gordon Hessler)
(2:00 AM) (premiere) Ninja III: The Domination (1984/95 m/Sam Firstenberg)
(3:45 AM) (drama) Heavenly Bodies (1985/89 m/Lawrence Dane)
(5:30 AM) (short) Keep Off The Grass (1969/21 m/?)
(6:00 AM) (comedy) Please Don't Eat the Daisies (1960/111 m/Charles Walters)
(8:00 AM) (premiere) MGM CARTOONS: One Cab's Family (1938/8 m/Fred (Tex) Avery)
(8:09 AM) (documentary) Black Cats and Broomsticks (1955/8 m/Larry O'Reilly)
(8:18 AM) (short) Wandering Here and There (1944/9 m/James A. FitzPatrick)
(8:28 AM) (romance) King Of The Lumberjacks (1940/59 m/William Clemens)
(9:30 AM) (premiere) THE WILD WEST DAYS: Leap For Life (1937/?/?)
(10:00 AM) (premiere) POPEYE: Cartoons Ain’t Human (1943/7 m/Dave Fleischer)
(10:09 AM) (adventure) Tarzan And The Amazons (1945/76 m/Kurt Neumann)
(11:30 AM) (short) The Flame Song (1934/22 m/Joseph Henabery)
(12:00 PM) (suspense) Harper (1966/121 m/Jack Smight)
(2:15 PM) (horror) Brainstorm (1983/106 m/Douglas Trumbull)
(4:15 PM) (war) Men Of The Fighting Lady (1954/80 m/Andrew Marton)
(5:45 PM) (drama) Citizen Kane (1941/119 m/Orson Welles)
(8:00 PM) (drama) Ace in the Hole (1951/111m/Billy Wilder)
(10:15 PM) (premiere) Flesh and Fury (1952/83 m/Joseph Pevney)
Sunday, October 25, 2020
(12:00 AM) (adventure) Macao (1952/81 m/Josef von Sternberg)
(1:45 AM) (horror) The Werewolf (1956/80 m/Fred F. Sears)
(3:15 AM) (premiere) The Howling (1981/91 m/Joe Dante)
(5:00 AM) (horror) The Mummy (1932/73 m/Karl Freund)
(6:15 AM) (suspense) Murder on the Blackboard (1934/72 m/George Archainbaud)
(7:30 AM) (romance) All This, and Heaven Too (1940/143 m/Anatole Litvak)
(10:00 AM) (adventure) Macao (1952/81 m/Josef von Sternberg)
(12:00 PM) (romance) The White Cliffs Of Dover (1944/126 m/Clarence Brown)
(2:15 PM) (epic) Around the World in 80 Days (1956/182 m/Michael Anderson)
(5:30 PM) (horror) What Ever Happened to Baby Jane? (1962/134 m/Robert Aldrich)
(8:00 PM) (western) 3:10 to Yuma (1957/92 m/Delmer Daves)
(10:00 PM) (western) Gunman's Walk (1958/95 m/Phil Karlson)
Monday, October 26, 2020
(12:00 AM) (silent) Haxan: Witchcraft Through the Ages (1922/107 m/Benjamin Christensen)
(2:00 AM) (suspense) Diabolique (1955/117 m/Henri-Georges Clouzot)
(4:15 AM) (horror) Eyes Without a Face (1959/90 m/Georges Franju)
(6:00 AM) (suspense) The Beast with Five Fingers (1946/88 m/Robert Florey)
(7:45 AM) (adventure) Mara Maru (1952/98 m/Gordon Douglas)
(9:30 AM) (drama) They Won't Believe Me (1947/80 m/Irving Pichel)
(11:15 AM) (suspense) Where Danger Lives (1950/80 m/John Farrow)
(1:00 PM) (suspense) Fingers at the Window (1942/81 m/Charles Lederer)
(2:30 PM) (suspense) Footsteps in the Dark (1941/96 m/Lloyd Bacon)
(4:15 PM) (suspense) Kill or Cure (1962/88 m/George Pollock)
(6:00 PM) (comedy) The Gazebo (1960/102m/George Marshall)
(8:00 PM) (horror) Nothing But the Night (1972/91 m/Peter Sasdy)
(9:45 PM) (horror) Madhouse (1974/91 m/James Clark)
(11:30 PM) (horror) From Beyond the Grave (1973/98 m/Kevin Connor)
Tuesday, October 27, 2020
(1:30 AM) (horror) Scream and Scream Again (1970/95 m/Gordon Hessler)
(3:15 AM) (premiere) The Satanic Rites of Dracula (1973/88 m/Alan Gibson)
(4:45 AM) (horror) Dracula A.D. 1972 (1972/96 m/Alan Gibson)
(6:30 AM) (western) Somewhere In Sonora (1933/58 m/Mack V. Wright)
(7:45 AM) (western) Along the Rio Grande (1941/64 m/Edward Killy)
(9:00 AM) (western) Valley of the Sun (1942/78 m/George Marshall)
(10:30 AM) (western) Sagebrush Trail (1933/53 m/Armand Schaefer)
(11:30 AM) (western) Devil's Canyon (1953/92 m/Alfred Werker)
(1:15 PM) (western) The Hired Gun (1957/64 m/Ray Nazarro)
(2:30 PM) (premiere) Black Patch (1957/82 m/Allen H. Miner)
(4:00 PM) (western) Virginia City (1940/121 m/Michael Curtiz)
(6:15 PM) (western) Escape From Fort Bravo (1953/98 m/John Sturges)
(8:00 PM) (premiere) Women Make Film: A New Road Movie Through Cinema (episode 9) (2019/60 m/Mark Cousins)
(11:00 PM) (documentary) Women Make Film: A New Road Movie Through Cinema (episode 9) (2019/60 m/Mark Cousins)
Wednesday, October 28, 2020
(12:15 AM) (comedy) Girlfriends (1978/88 m/Claudia Weill)
(2:00 AM) (drama) The Connection (1962/103 m/Shirley Clarke)
(4:00 AM) (comedy) Lost In Yonkers (1993/114 m/Martha Coolidge)
(10:00 AM) (drama) Winter Meeting (1948/104 m/Bretaigne Windust)
(12:00 PM) (romance) I Know Where I'm Going (1945/92 m/Michael Powell)
(1:45 PM) (romance) The Enchanted Cottage (1945/92 m/John Cromwell)
(3:30 PM) (romance) Random Harvest (1942/126 m/Mervyn LeRoy)
(6:00 PM) (romance) Desire Me (1947/91 m/George Cukor)
(8:00 PM) (drama) The Best Man (1964/102 m/Franklin J. Schaffner)
(10:00 PM) (drama) State of the Union (1948/123 m/Frank Capra)
Thursday, October 29, 2020
(12:15 AM) (comedy) The Great McGinty (1940/82 m/Preston Sturges)
(2:00 AM) (drama) The Candidate (1972/110 m/Michael Ritchie)
(4:00 AM) (drama) All the King's Men (1949/110 m/Robert Rossen)
(6:00 AM) (western) Haunted Gold (1932/58 m/Mack V. Wright)
(7:00 AM) (horror) The Devil-Doll (1936/78 m/Tod Browning)
(8:30 AM) (suspense) Before Dawn (1933/61 m/Irving Pichel)
(9:45 AM) (comedy) Man Alive (1946/70 m/Ray Enright)
(11:00 AM) (horror) Tormented (1960/75 m/Bert I. Gordon)
(12:30 PM) (adventure) Angel on My Shoulder (1946/101 m/Archie Mayo)
(2:15 PM) (horror) Night Of Dark Shadows (1971/94 m/Dan Curtis)
(4:00 PM) (horror) Indestructible Man (1956/71 m/Jack Pollexfen)
(5:15 PM) (horror) From Hell It Came (1957/71 m/Johnny Greenwald)
(6:30 PM) (horror) Death Curse of Tartu (1966/88 m/William Grefé)
(8:00 PM) (western) Winchester '73 (1950/92 m/Anthony Mann)
(10:00 PM) (western) She Wore a Yellow Ribbon (1949/104 m/John Ford)
Friday, October 30, 2020
(12:00 AM) (documentary) Primary (1960/53 m/Robert Drew)
(1:15 AM) (documentary) Crisis (1963/53 m/Robert Drew)
(2:15 AM) (premiere) Dos Monjes (1934//Juan Bustillo Oro)
(4:00 AM) (drama) Of Mice and Men (1939/107m/Lewis Milestone)
(6:00 AM) (documentary) MGM Parade Show #5 (1955/26 m/?)
(6:30 AM) (horror) Doctor X (1932/76 m/Michael Curtiz)
(8:00 AM) (horror) The Mask Of Fu Manchu (1932/68 m/Charles Brabin)
(9:30 AM) (horror) The Most Dangerous Game (1932/63 m/Ernest B. Schoedsack)
(10:45 AM) (horror) Island of Lost Souls (1932/70 m/Erle C. Kenton)
(12:00 PM) (horror) White Zombie (1932/67 m/Victor Halperin)
(1:30 PM) (horror) The Vampire Bat (1933/63 m/Frank Strayer)
(2:45 PM) (horror) The Mystery Of The Wax Museum (1933/77 m/Michael Curtiz)
(4:15 PM) (horror) Mad Love (1935/68 m/Karl Freund)
(5:30 PM) (horror) The Walking Dead (1936/65 m/Michael Curtiz)
(6:45 PM) (horror) The Return of Doctor X (1939/62 m/Vincent Sherman)
(8:00 PM) (horror) Burn, Witch, Burn! (1962/89 m/Sidney Hayers)
(9:45 PM) (horror) The Four Skulls of Jonathan Drake (1959/70 m/Edward L. Cahn)
(11:00 PM) (horror) The Devil's Bride (1968/96 m/Terence Fisher)
Saturday, October 31, 2020
(12:45 AM) (horror) The Conqueror Worm (1968/87 m/Michael Reeves)
(5:15 AM) (short) The Distant Drummer: Flowers of Darkness (1972/22 m/William Templeton)
(5:15 AM) (short) Movie Trailer (1950/16 m/?)
(6:00 AM) (horror) Freaks (1932/62 m/Tod Browning)
(7:15 AM) (horror) Dr. Jekyll and Mr. Hyde (1932/96 m/Rouben Mamoulian)
(9:00 AM) (horror) House of Wax (1953/88 m/Andre DeToth)
(10:45 AM) (horror) Children of the Damned (1964/90 m/Anton M. Leader)
(12:30 PM) (suspense) The Bad Seed (1956/129 m/Mervyn LeRoy)
(2:45 PM) (drama) The Picture of Dorian Gray (1945/110 m/Albert Lewin)
(4:45 PM) (horror) The Wolf Man (1941/70 m/George Waggner)
(6:00 PM) (horror) The Haunting (1963/112 m/Robert Wise)
(8:00 PM) (comedy) Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964/95 m/Stanley Kubrick) .
(10:00 PM) (horror) Them! (1954/92 m/Gordon Douglas)
(12:00 AM) (horror) The Seventh Victim (1943/71 m/Mark Robson)
(1:30 AM) (horror) I Walked With A Zombie (1943/69 m/Jacques Tourneur)
(3:00 AM) (horror) The Body Snatcher (1945/78 m/Robert Wise)
(4:30 AM) (suspense) The Leopard Man (1943/66 m/Jacques Tourneur)
submitted by tombstoneshadows28 to movies [link] [comments]


2020.09.18 21:14 annieisaverage Characters Archetype discussion (Using Heroes and Heroines- 16 Master Archetypes by Cowden, LaFever, and Viders)

I was hoping to find people who have this book/are familiar with the archetypes, because I'd like to discuss what some popular character archetypes are. Hoping to get a little discussion going...below I have posted some popular shows/characters.
Below are the main arche-type names. You need the book for the descriptions. Each one has multiple iterations.
Male: Chief, bad boy, lost soul, charmer, swashbuckler, professor, best friend, warrior
Female: Boss, Free spirit, seductress, librarian, waif, crusader, spunky kid, nurturer
--Possible discussions (if anyone is interested and has the book/knows the arche-types):
Sex and the City main characters (Carrie, Miranda, Samantha, Charlotte)
Fresh Prince main characters (Will, Carlton, Phil Banks, Ashley Banks, Hillary Banks)
That 70's show main characters (Donna, Jackie, Hyde, Fez, Kelso, Eric)
Big Bang Theory main characters (Leonard, Sheldon, Raj, Howard, Bernadette, Penny, Amy)
Seinfeld main characters (Jerry, George, Kramer, Elaine)
George Lopez Show main characters (George, Angie, Max, Ernie, Benny)
Friends main characters (Ross, Joey, Chandler, Rachel, Monica, Phoebe)
Hopefully I posted ONE show that you are familiar with. Feel free to post other show suggestions in the comments...if I even get a single person interested that is lol
submitted by annieisaverage to Screenwriting [link] [comments]


2020.09.15 18:03 i_am_shattered 30 Days of multi-panel snippets from That 70s Show: Day 15 (ruining it for people who saw through the facade of Romance yesterday through Hyde's eyes)

30 Days of multi-panel snippets from That 70s Show: Day 15 (ruining it for people who saw through the facade of Romance yesterday through Hyde's eyes) submitted by i_am_shattered to That70sshow [link] [comments]


2020.09.15 01:26 Dysmal_Cientist Government workplace has become increasingly toxic and internal opportunities stifled. Teams are kept understaffed so they can’t progress. How can I develop a career development plan and prepare for my next career move while waiting out the COVID recession?

I work in state government in a job that I’ve held for 2 years now. I was promised a raise and promotion in January which was rescinded indefinitely due to COVID budget stuff (or maybe because of a disability accommodations request since others were promoted and new people hired). I recently interviewed as a top internal candidate in my department and was rejected. I don’t mind my current job, but this was a new entry level job that would have been a perfect steppingstone into the economist career I want to build so I decided to just throw myself out there. The posting was very basic and vague, and many colleagues felt that it was already meant for “someone” as soon as it was posted. I'm disappointed because I put hours and sleep deprivation into data analysis for a ten minute presentation required during the interview, and was even told that I went above what they expected and that they wanted me to share how I was able to put together the nice theme/graphics for the powerpoint.
We have had changes in leadership in my division in the last year and everything has become incredibly toxic. It was annoying in some ways for some people before, but I enjoyed my workplace and we at least had competent leadership that knew which employees were capable over which assignments and were given trust and independence.
Now, and especially after this last nail in the coffin from the interview rejection, I’ve come to dread it. The worst part about what I will describe is that these positions are open for life, so we are stuck with them for the 20-30 years they choose to sit in the chair. No hope of better people coming in. This upper management thrives by micromanaging individual contributors through middle management. They’re micromanaging middle management to the point that they are like Dr. Jekyll and Mr. Hyde with us, being sugary sweet one day and snappy the next. One specific individual in upper management likes to do underhanded stuff like put people over assignments/projects that they know the person will have difficulty carrying out in order to basically set them up to fail and have a reason to show that they aren’t a high performer. It’s way harder to fire someone in government, so this is their way of putting things in their performance review that keeps them from getting bonuses, hired somewhere else in the state system, or being promoted.
There is poor communication and we individual contributors get punished for trying to be collaborative or take initiative, being told that we must have our email correspondence pre-approved and just overall having a whole lot of the left hand not knowing what the right hand is doing. I don’t appreciate being treated as though I’m in middle or highschool and am not capable to independently make decisions in the job that I was supposedly hired for due to trust in my competence to do it. I’m constantly made to feel like I’m an insolent child for trying to take initiative and help colleagues and the public.
It’s horrible under work from home since March because you never know what is going on and what will be thrown on us next. It has become very cliquey, and I’ve seen good colleagues who have been there far more years than I have abandon ship in the last year and older colleagues decide to retire earlier than they wanted to. It’s like every time you turn around there is a new face who may or may not stick around for more than 3 months.
Management almost always opts for external candidates over internal candidates. I’ve seen it happen with several colleagues who have been around longer than I have. They interview several times over 5+ years and are always rejected. Management says they want “new faces” and the “right skills” even though they consistently hire external candidates who come in not knowing what the heck they’re doing and who ultimately also abandon ship or make our work worse by mucking around and “playing” manager. We work on proprietary federal programs that you wouldn’t have experience with unless you have worked on it in another state, yet rather than train up internal candidates who could immediately step in and carry the torch, they hire someone who fits into their clique and image of what they want the department to look like. Or they hire people with a masters/phd for an entry level position and then pikachu face when they leave after 6 months. I'm not even against external candidates. It's just that internal opportunities are stifled in favor of them. Which brings me to my main point.
I work on a team that has been heavily understaffed for years, long before I came to work here. Yet it’s one of the most important programs. I literally have no free time at work to pursue professional development. If I take the time to try to work on programming or something like that, I’m putting something else off. It’s impossible to finish. There are 2.5 (team lead helps out when they can) of us and we EACH have about 70,000 accounts each quarter to work through. It’s impossible and never ends. So management tells us to put goals in our performance plan and that they want to help us grow and climb the ranks, but they know we will get stuck in our current skill set because we have no time as a full time and a half employee to pursue more.
I can’t prove why I was not selected. There is of course the possibility that someone somehow was better for the division. It’s possible but unlikely as I’ve pointed out with our current “leadership.” The other possibility is that I requested disability accommodations in April, which were approved, and they didn’t like it, don’t like me for whatever underhanded reason, or don’t like that I try to carry out my work independently, creatively, and strive for process improvement. However, my biggest theory is that they didn’t choose me because it would mean that they would have an empty seat on the already understaffed team. They’re keeping me and other colleagues on similar teams that I’ve seen being the pack mules of the grunt work.
I’m really burned out from the understaffing over two years, what feels like lack of opportunity, etc. I’m doing a lot of monotonous data analysis right now and want to move into a more creative economic analysis/research role, which I have the skill set for. I was hoping for this job, because it was so entry level that I would be able to learn by doing. In what little time I can stretch this year, I’ve been learning bash, linux, and python, but it's hard to learn when I can't do it consistently and apply it. I feel like I have no room for growth at my current workplace and will continue to be overlooked for openings (what little come available due to government workers hardly leaving higher roles).
TL;DR: Government workplace has become toxic in recent year under current leadership. Teams are understaffed and individual contributors are rejected in favor of external candidates because management wants us to keep doing the heavy grunt work while they hire people that fit into their "clique." I know that for the next 1-2 years, it probably is a bad time to look for another job out of state or at the federal level. So, I will have to appreciate the job that I do have and try to bide my time. What I would like advice on is what I can do in these next 1-2 years to build myself up to the skill set for my next job. My main problem as I’ve mentioned is how little time I have to work towards anything for myself. Some people complain about office jobs where you have two hours of work daily, and unfortunately I have less than 2 hours a week to even try to work on professional development. I ended up writing a thank you note and mailing it in response to my interview, because I read an article that mentioned that you have to start doing things for your future employer (promotion) rather than your current employer. Just looking on advice on what those things can look like for me.
submitted by Dysmal_Cientist to careerguidance [link] [comments]


2020.09.14 21:28 jimmy-zee An Attempt at Creating an Earth-616 Spider-Man Timeline, Round 1: Years 1-6

It's been a long-seated interest of mine to try to figure out exactly how long Peter's been Spider-Man in the main Marvel Universe and in what year all of his particular adventures occur. In 2014 it was said that as of Amazing Spider-Man volume 3 it'd be 13 years since the spider bite, but this is tough to reconcile since he's allegedly been Spidey since he was 15 years old (as was explicitly stated in Civil War).
Think about it: if he's 15 when he gets powers, he'll graduate from his undergrad studies at E.S.U. around age 21/22, meaning he'll have been Spider-Man at that point for about 7-8 years as he becomes a grad student. That leaves about 6 years for everything from ASM #186 (his graduation) to ASM v3, which is stretching it a bit.
But wait, there's more: If he's 19-20 when Gwen dies, and presumably around 20-21 when the first Clone Saga happens, then the second Clone Saga has to happen five years later (as is repeatedly said in the 90s). That means Peter will be around 25-26 and have been Spidey for around 11 years when Ben Reilly resurfaces in NYC, and since Ben takes over as Spider-Man around what is visibly Christmas time (it's winter during the Media Blizzard storyline) and gets killed by Norman Osborn in late October (the end of Revelations occurs on Halloween night), that means that when Pete becomes Spider-Man again at the end of the Clone Saga, he's about 26-27 and it's at least 12 years since the spider bite.
That leaves only one year for everything post-Clone Saga, including the Gathering of Five/Final Chapter, the time jump into the Next Chapter, the entire JMS run, Civil War, Back in Black, One More Day, Brand New Day, New Ways to Die, American Son, the Gauntlet, Grim Hunt, Origin of the Species, Big Time, Spider Island, Ends of the Earth, and Superior Spider-Man. Yeah, I don't think so.
You can somewhat solve the problem by changing the spider bite to occur when Peter is 17, thus squeezing the first 40-something issues of ASM or so into the first year (making it all center around Pete's senior year of high school). This means that somewhere around issue 46 or 47 we move into year 2, as the Kraven storyline from around that time was shown in Spider-Man: Blue to happen around Valentine's Day (i.e. February). So year 2 has to start with Pete around 18 years old, and by the time he finishes college about three years later in presumably year 5, the events of ASM #50-186 have to have occurred. This is doable - year 3 (sophomore year of college) could have gwen's death, and year 4 could contain the first Clone Saga, thus moving back the 90s Clone Saga to year 9 rather than 11-12. That means that Ben Reilly gets killed in October of year 10, and you might be able to make a case for everything up to the Final Chapter occurring before the end of that year. This leaves two full years for JMS, Brand New Day, and Dan Slott's run up to the start of ASM v3.
Of course, everything from Amazing Fantasy #15 to Amazing Spider-Man #28 (Pete's high school graduation) is supposed to happen in real-time, having villain encounters occur months apart and seeing Peter move from sophomore to senior year, but that just isn't possible if you want to keep him as a "twenty-something"-year old and reach Original Sin in thirteen years.
So with all this in mind, we can kind of map things out as follows:
YEAR ONE (insert Batman joke here)
YEAR TWO
YEAR THREE
YEAR FOUR
YEAR FIVE
YEAR SIX
I'm gonna have to do years 7-12 in another post, 'cuz writing all this up was physically and mentally exhausting to coordinate and research. I'd greatly appreciate any feedback, particularly stuff I've missed.
submitted by jimmy-zee to Spiderman [link] [comments]


2020.09.14 17:32 i_am_shattered 30 Days of multi-panel snippets from That 70s Show: Day 14 (Hyde man)

30 Days of multi-panel snippets from That 70s Show: Day 14 (Hyde man) submitted by i_am_shattered to That70sshow [link] [comments]


2020.09.13 05:48 tangre79 Looking for an episode where hyde steals Red's cable through the floor?

I can't for the life of me find this episode. I remember seeing it a long time ago but only recently finished the whole series yet again. I'm hoping my mind isn't making things up and this wasn't just a dream I had. I recall a moment in which Red is trying to watch TV upstairs but the channel keeps changing unexpectedly, so he switches it to his show again and the channel changes again. So he goes downstairs and it turns out Hyde spliced the cable to the basement TV and basically has it mirroring the upstairs TV, and he keeps changing the channel when Red changes it back. I remember Red had some big 70's TV controller looking thing that looked more like a computer keyboard than a TV remote. Am I crazy?
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2020.09.11 14:15 UberHansen Game Matchups Preview #1: Bills vs. Jets

Before every Bills’ game I spend some time, probably too much time, digging into how the Bills roster stacks up against their opponent’s. While doing this I specifically look at 5 matchups; Bills’ Pass Offense vs. Opponent’s Pass Defense, Bills’ Rush Offense vs. Opponent’s Rush Defense, Bills’ Pass Defense vs. Opponent’s Pass Offense, Bills’ Rush Defense vs. Opponent’s Rush Offense, Bills’ Special Teams vs. Opponent’s Special Teams. After doing all of this I try to come up with reasons “Why We Will Lose” and “Why We Will Win” ultimately leading to a prediction. Below I present 2020’s 1st iteration of this analysis for the Bills upcoming home game against the Jets. Included is a scale to rank the advantage in each matchup from 👏👏👏👏👏 (Massive Advantage) to 👏 (Minimal Advantage).
Bills’ Passing Offense vs. Jets’ Passing Defense
The 2019 Bills were a playoff team, the 2020 Bills should be more than that. The “should be” is dependent on many things but none greater than Josh Allen improving as a passer. Good news for Bills’ fans is that one of the rawest 1st round QBs in recent history has shown a propensity to consistently improve as a passer. In fact, in Allen’s first six 4-Game Splits his passer rating increased each set ultimately rising from 63.8 to 98.9. It wasn’t until the final 4 games of the 2019 season where Allen’s passer rating dipped (Falling to 73.9), which in large part was caused by a schedule consisting of 3 of the top 4 passing defenses (By DVOA) and a fourth game, against the Jets, where Allen played less than one quarter. Allen’s improvement, especially against higher caliber teams, is something Bills’ fans need to keep an eye on this season and could be an explicit indicator of just how far this team can go in 2020.
The Bills’ first test is against a pass defense which ranked 20th in pass defense DVOA in 2019 and on paper should end up in the same range in 2020. National headlines make the loss of Jamal Adams seem like a massive blow to this unit but don’t be surprised if his replacement, Bradley McDougald, fills in nicely. Adams, while a freakish talent, has a similar playstyle to early Landon Collins, resembling a hybrid linebacker. The Jets got a slew of picks for Adams but also added a player who, by all accounts is better against the pass (58.8 P-Rating Against) than Adams (75.2 P-Rating Against). Where the Jets will miss Adams is in the pass rush where he excelled at a near record pace in 2019. With Adams off the roster and no true pass rushers of note the most dangerous pressure player for the Jets is likely OLB Jordan Jenkins who finished 2019 with 8.0 sacks.
And then there are the Jets’ CBs. Let’s imagine for a second the Bills have the same roster as 2019. In this make-believe world some combination of Blessuan Austin, Pierre Desir, Brian Poole, and Quincy Wilson (All of whom finished 2019 with a P-Rating against of 90+) would be responsible for John Brown, Cole Beasley, and Isaiah McKenzie. Now let’s come back to reality where the Bills have added Stefon Diggs and Gabriel Davis to their already solid top-3. Unless the Upside-down World truly exists there is no fathomable reality where the Jets secondary is not completely exposed by the Bills upgraded WRs. Making the Bills more dangerous is promising TE Dawson Knox who supposedly spent the offseason “Training his eyes” to reduce the consistent dropped balls Bills’ fans saw from him in 2019.
EDGE: Bills 👏 👏 👏
Bills’ Rushing Offense vs. Jets’ Rushing Defense
Last year the Bills had a 1-2 punch of a Motor and Old-Man-Gore (I’m sorry Frank), this season they’ve replaced Gore with a certified Mack Truck. Alright, I admit it remains to be seen just how good Zack Moss will be but the guy is walking on Sequoioideae tree trunks. In a perfect world the Bills have put together the new Ingram/Kamara backfield and in the imperfect world would have a poor-man’s version of Duke Johnson and Carlos Hyde. It’s likely to be in-between but represents massive upside to the Bills run game. There is another player who is a potent force in the Bills’ run game but more on him later.
The Jets will rely on their LBs and DTs to stop the Bills two RBs. The 2020 season got off to a rough start for the Jets as the center of their defense, CJ Mosely, opted out due to COVID but luckily for them he will be replaced by severely underrated ILB Avery Williamson who missed the entirety of 2019 due to injury (Note that he is questionable for Sunday and backed up by Blake Cashman). Flanking Williamson is a solid contributor in N. Hewitt (ILB), veteran OLB J. Jenkins, and rotational player turned starter T. Basham (OLB). This group of LBs has the athleticism to make stretching the field difficult on the Bills young RBs who will find inside runs even more challenging because of the Jets DTs. Steve McLendon is one of the better pure run stoppers in the NFL and is backed up by versatile and underrated Folorunso Fatukasi. Lastly, while listed as a DE and underperformed in 2019 Q. Williams has a potent ability to eat up blockers as he was double-teamed nearly 60% of his snaps in 2019.
Where the Jets will likely struggle on Sunday is against the Bills’ most potent runner, Josh Allen. While Bills’ fans would love to see their presumptive franchise QB stay in the pocket more, far away from the violence inflicted on rushing QBs, their success may continue to depend on his mobility. In reality Allen’s legs have become such a massive weapon that his abilities have been compared to the likes of Mike Vick, Cam Newton, and draft-mate Lamar Jackson. Because of the numerous weapons the Bills have at WR don’t be surprised if they spread out the field to open up QB draws for Allen. Word of caution though, the Jets will be chasing forced fumbles so if, as has been reported, Singletary truly has an issue securing the football a game changing play could go against the Bills here.
EDGE: Jets 👏
Bills’ Passing Defense vs. Jets’ Passing Offense
4th in Passing Yards Against, 2nd in Passing TDs Against, 8th in INTs, 3rd in Passer Rating Against, 6th in Passing 1st Downs Against, 1st in 20+ Yard Passes Against, 1st in 40+ Yard Passes Against. This is just a subset of the statistics representing how dominant the Bills secondary was in 2019. This team should be just as dominant in 2020, if not more so. They return every starter from 2019 while adding Josh Norman who achieved All-Pro status in 2015 while coached by none other than Sean McDermott. This group is freakishly talented and should be in the discussion for top secondary of the NFL in 2020. They will start 2020 against a team their backups, and a 5’8” WR, held to 236 yards passing and 13 points in Week 17 of 2019.
Leading this team is Sam Darnold whose 2020 success won’t be defined by the weapons he has to throw too but instead the sturdiness of the wall in front of him. The Jets completely overhauled their offensive line, replacing 4 of 5 starters on what was the 30th ranked pass blocking OL (DVOA). G. Fant comes from Seattle to play RT, Van Roten from 2-years of starting in Bills South for RG, 2 year starter C. Mcgovern from Denver to play Center, and 1st round behemoth M. Becton to protect Darnold’s blindside at LT. Just as Bills’ fans heard at the beginning of 2019 a OLs potential success cannot be determined until they have time to mesh as a unit. Unfortunately for the Jets they won’t afford the luxury of preseason to work on this and instead will play their first live football this coming Sunday against a revamped DL in Orchard Park.
This new look DL belongs to the Buffalo Bills and in short order may shift from a “Low Pressure System” to a new version of “The Cold Front”. This week the DL is likely to focus on 6’7” 364lb rookie monstrosity Mekhi Becton. Becton has the potential to be a perennial All-Pro but is expected to struggle early on with statements in his scouting report reading; “Opens outside half too early in pass sets”, “Unable to respond timely to cross-fact stunts”, and “Needs better patience/control as a positional blocker”. All of this provides ample opportunities for the Bills to throw complex stunts from the likes of Hughes, Oliver, Edmonds, and even Poyer to confuse Becton and open-up the blind side of Darnold. From a skill position standpoint Breshad Perriman, Chris Hogan, and Denzel Mims represent some form of a challenge but the Bills focus must be in the intermediary on Jamison Crowder and Le’Veon Bell.
EDGE: Bills 👏 👏 👏 👏
Bills’ Rushing Defense vs. Jets’ Rushing Offense
The Bills defense was stout all-around last year but were occasionally vulnerable against the run. The Eagles, Browns, and Patriots were able to gash the Bills on the ground all exceeding 140 yards which to some extent cost the Bills the AFC East in 2019. In Week 1 however, the Bills only gave up 68 yards to the Jets and while the Box Score may not show it the key to that game would end up missing a major portion of the season, Harrison Phillips. Yes, the Bills lost Jordan Phillips but Bills' fans should not fall into revisionist history, for the short time Harrison was on the field he was above and beyond the best DT on the Bills. Quadruple a healthy Horrible Harry with a more experienced Ed Oliver and the additions of Vernon Butler & Quinton Jefferson, and the Bills could sneakily have a top tier interior DL in 2020.
For the Jets to combat this it’s all about Le’Veon Bell. Bell did his best work in Pittsburgh while able to sit behind a stout OL and wait for holes to open. Obviously last year did not go as planned for Bell but if the Jets OL is as good as some Jets' fans think it could be then Le’Veon could round back into his Steelers’ form. Behind Bell sits the Ancient Wonder, Frank Gore who while definitely diminished in skill still is capable of consistently ripping off substantial gains. Don’t be surprised if Gore gets 10+ touches due to his relationship with Gase and if he does will be on fresh legs at the start of the season which Bills' fans have the experience of witnessing.
So if Bell, or even Gore, make it past the Bills’ new DL what do they have to deal with? First comes Tremaine Edmunds who is 22 entering his 3rd season and in all honesty is a dark-horse candidate for DPOY. Watch Edmunds feet early, if he is quicker and his reads are faster he will be one of the more dangerous players in the entire NFL. After Edmunds comes Milano, one of the most underrated OLBs in the NFL, and A.J. Klein who is a sure tackling 3 year starter from New Orleans. Last comes one of the best safety tandems in the NFL in Poyer and Hyde who may just be the best run stopping safety group in the entire league. Long story short, the Jets should have a hard time getting past the first level, just as hard a time getting past level 2, and an even harder time getting past level 3.
EDGE: Bills 👏
Bills’ Special Teams vs. Jets’ Special Teams
How do we deal with Andre Roberts’ slander? We just don’t stand for it. I know I’ve called this nearly every week since I started doing these posts but this is the week. Mark my words, Andre Roberts takes one to the house against his old team. Outside of Roberts the other known on ST for the Bills is Bojo. Monster leg, but inconsistent, though this season he did beat out two others for the punting job so there may be growing confidence in him. Then there is Bass. I’m not going to lie I was surprised when Hauschka was cut for one reason, kicking in practice is nothing like kicking in a real game. Week 1 will be telling for Bass and we will know very quickly whether or not the Bills made the right decision at this position.
The Jets also have a solid returner in Braxton Berrios who was one of 2019’s better PR with an average of 11.4 Y/R. He is explosive enough to be a danger and has 4.4 speed where if he hits the open field it could be a problem for the Bills. At punter the Jets will trot out the unknown in rookie 6th round pick who had over 100 punts at Texas A&M averaging 48.9 yards per punt. Last for the Jets is Sam Ficken at kicker who struggled last year with a 70.4% FG Avg and 88.5% XP Avg. The Bills first hand saw the struggles of Ficken in Week 17 of 2019 missing a 51 yard and 34 yard field goal.
EDGE: Wash
Why We Will Lose
Sam Darnold is a threat and when he is on, he is really on. If his new offensive line gels quickly he will have time in the pocket for the first time in his career which will provide ample opportunity to throw to a potential bonafide #1 WR in Denzel Mims. Le’Veon Bell will be used even more in both the pass and run which, with more unhindered time in the backfield, should allow him to return to Steelers form, giving Bills’ fans PTSD. All of this ability could be enough to put up points on an extremely complex Bills’ defense which takes live-football to truly implement each season, regardless of experience with the system.
On defense the Jets will be chasing turnovers and may just find them. Allen may force the ball to Diggs to keep the highly emotional receiver happy and if a bit arrant it may end up in the hands of one Marcus Maye, assuming he plays. On run plays Allen has shown a propensity to fumble and Singletary has a similar problem which Gregg Williams will surely try to exploit. If the turnovers begin to recur the Jets will steal one in Western New York.
Why We Will Win
If you compare nearly every position group the Bills are just plain better than the Jets. If you compare the coaching the Bills are in another universe when compared to the Jets. Allen should have receiving options open all day with his choice of weapon and whether it is Knox, Davis, Beasley, Brown, or Diggs all look capable of making plays after catching the ball. All of this should open up the run game for the lightning of Singletary or the thunder of Moss. If for some absurd reason none of this works Allen should have room to come push for triple digits on the ground by himself.
On defense the Jets have no weapons that should present consistent problems for the Bills top ranked defense. The receivers should struggle to get open and if they do the Bills palms scheme may mask spies leading to Darnold turnovers. This of course assumes that Darnold has time to get the ball off when in all likelihood he will have diminished pocket time as an offensive line yet to truly play together will go up against a DL with players hungry to prove they are one of the better units in the NFL. All of this should allow the Bills to stack the box locking down a version of Le’Veon Bell that is far removed from his All-Pro days in Pittsburgh.
Prediction: Bills 27 – Jets 17
All around the Bills are the better and more prepared team for Sunday. On offense Diggs is a massive X-Factor who the Jets have no counter for. This should further free up offensive weapons that allowed Josh Allen to score 29 TDs in 2019. On defense the Bills are above average at every position group and are going up against an offense that had a massive amount of turnover between last year and 2020 and thus is lacking in live-football experience with each other. One word of advice for the coaching staff of the Bills, do not take your foot off the pedal and make a statement by running away with this game.
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2020.09.10 20:48 Dysmal_Cientist Government workplace has become increasingly toxic and internal opportunities stifled. Teams are kept understaffed so that they can't progress. How can I prepare for my next career move under these conditions while waiting out the COVID recession?

I work in state government in a job that I’ve held for 2 years now. I was promised a raise and promotion in January which was rescinded indefinitely due to COVID budget stuff (or maybe because of a disability accommodations request since others were promoted and new people hired). I recently interviewed as a top internal candidate in my department and was rejected. I don’t mind my current job, but this was a new entry level job that would have been a perfect steppingstone into the economist career I want to build so I decided to just throw myself out there. The posting was very basic and vague, and many colleagues felt that it was already meant for “someone” as soon as it was posted. I'm disappointed because I put hours and sleep deprivation into data analysis for a ten minute presentation required during the interview, and was even told that I went above what they expected and that they wanted me to share how I was able to put together the nice theme/graphics for the powerpoint.
We have had changes in leadership in my division in the last year and everything has become incredibly toxic. It was annoying in some ways for some people before, but I enjoyed my workplace and we at least had competent leadership that knew which employees were capable over which assignments and were given trust and independence.
Now, and especially after this last nail in the coffin from the interview rejection, I’ve come to dread it. The worst part about what I will describe is that these positions are open for life, so we are stuck with them for the 20-30 years they choose to sit in the chair. No hope of better people coming in. This upper management thrives by micromanaging individual contributors through middle management. They’re micromanaging middle management to the point that they are like Dr. Jekyll and Mr. Hyde with us, being sugary sweet one day and snappy the next. One specific individual in upper management likes to do underhanded stuff like put people over assignments/projects that they know the person will have difficulty carrying out in order to basically set them up to fail and have a reason to show that they aren’t a high performer. It’s way harder to fire someone in government, so this is their way of putting things in their performance review that keeps them from getting bonuses, hired somewhere else in the state system, or being promoted.
There is poor communication and we individual contributors get punished for trying to be collaborative or take initiative, being told that we must have our email correspondence pre-approved and just overall having a whole lot of the left hand not knowing what the right hand is doing. I don’t appreciate being treated as though I’m in middle or highschool and am not capable to independently make decisions in the job that I was supposedly hired for due to trust in my competence to do it. I’m constantly made to feel like I’m an insolent child for trying to take initiative and help colleagues and the public.
It’s horrible under work from home since March because you never know what is going on and what will be thrown on us next. It has become very cliquey, and I’ve seen good colleagues who have been there far more years than I have abandon ship in the last year and older colleagues decide to retire earlier than they wanted to. It’s like every time you turn around there is a new face who may or may not stick around for more than 3 months.
Management almost always opts for external candidates over internal candidates. I’ve seen it happen with several colleagues who have been around longer than I have. They interview several times over 5+ years and are always rejected. Management says they want “new faces” and the “right skills” even though they consistently hire external candidates who come in not knowing what the heck they’re doing and who ultimately also abandon ship or make our work worse by mucking around and “playing” manager. We work on proprietary federal programs that you wouldn’t have experience with unless you have worked on it in another state, yet rather than train up internal candidates who could immediately step in and carry the torch, they hire someone who fits into their clique and image of what they want the department to look like. Or they hire people with a masters/phd for an entry level position and then pikachu face when they leave after 6 months. I'm not even against external candidates. It's just that internal opportunities are stifled in favor of them. Which brings me to my main point.
I work on a team that has been heavily understaffed for years, long before I came to work here. Yet it’s one of the most important programs. I literally have no free time at work to pursue professional development. If I take the time to try to work on programming or something like that, I’m putting something else off. It’s impossible to finish. There are 2.5 (team lead helps out when they can) of us and we EACH have about 70,000 accounts each quarter to work through. It’s impossible and never ends. So management tells us to put goals in our performance plan and that they want to help us grow and climb the ranks, but they know we will get stuck in our current skill set because we have no time as a full time and a half employee to pursue more.
I can’t prove why I was not selected. There is of course the possibility that someone somehow was better for the division. It’s possible but unlikely as I’ve pointed out with our current “leadership.” The other possibility is that I requested disability accommodations in April, which were approved, and they didn’t like it, don’t like me for whatever underhanded reason, or don’t like that I try to carry out my work independently, creatively, and strive for process improvement. However, my biggest theory is that they didn’t choose me because it would mean that they would have an empty seat on the already understaffed team. They’re keeping me and other colleagues on similar teams that I’ve seen being the pack mules of the grunt work.
I’m really burned out from the understaffing over two years, what feels like lack of opportunity, etc. I’m doing a lot of monotonous data analysis right now and want to move into a more creative economic analysis/research role, which I have the skill set for. I was hoping for this job, because it was so entry level that I would be able to learn by doing. In what little time I can stretch this year, I’ve been learning bash, linux, and python, but it's hard to learn when I can't do it consistently and apply it. I feel like I have no room for growth at my current workplace and will continue to be overlooked for openings (what little come available due to government workers hardly leaving higher roles).
TL;DR: Government workplace has become toxic in recent year under current leadership. Teams are understaffed and individual contributors are rejected in favor of external candidates because management wants us to keep doing the heavy grunt work while they hire people that fit into their "clique." I know that for the next 1-2 years, it probably is a bad time to look for another job out of state or at the federal level. So, I will have to appreciate the job that I do have and try to bide my time. What I would like advice on is what I can do in these next 1-2 years to build myself up to the skill set for my next job. My main problem as I’ve mentioned is how little time I have to work towards anything for myself. Some people complain about office jobs where you have two hours of work daily, and unfortunately I have less than 2 hours a week to even try to work on professional development. I ended up writing a thank you note and mailing it in response to my interview, because I read an article that mentioned that you have to start doing things for your future employer (promotion) rather than your current employer. Just looking on advice on what those things can look like for me.
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2020.09.07 21:52 francescapell2 does anybody else find it difficult to separate the character the actor?

That 70’s Show is one of all time favorite shows but after I found out about the allegations against the actor who plays Hyde, I have found myself struggling enjoying or finding the scenes funny with Hyde in it. Does anybody have any advice on how to separate the character from the actor?
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2020.09.04 03:49 asmade My pseudo-review of 1,031 pages of Mark Kozelek / Kevin Corrigan books.

This is in no way a real review of these two books. Think of it as a free-association, rambling Kozelekian review. So, I got both books and tore through them pretty quickly. My memory is notoriously bad, so as people comment, I might jump in with more reflections, etc. I tore through the books pretty quickly, as I was totally interested with what was going on in these books. An insight into the daily life of one of my favorite musicians. When the assault allegations came out, I had about 40 pages left on the second book, so those things didn't really sit in my mind for a vast majority of the book. My review, or, "notes" maybe is a better word, will reflect that.
Honestly, I don't think the allegations really affect how I view the books, which is kind of sad? Anyway. You'll see.
First of all, this was brutal for the sole reason that I have nothing but love and admiration and respect for Kozelek, and I wanted to look into his day to day. Mistake. These books were a mistake. Publishing them was a mistake. Kozelek, if you're reading this. You fucked up so badly and you know it. The hard thing is that everything is self-described. Everything comes from his mouth. There is no biographer or editor as such. No one asks him questions... actually more on that later, so he just kind of spouts off whatever, and frankly - he comes off like an entitled boomer. I promise you, I'm just as horrified as you in regards to the allegations, but I'm not one of those people who turns their back on someone and says "they suck, what a dickhead" after it becomes in fashion to do so. No, Kozelek wore out his own welcome in my heart all on his own, before the allegations.
I don't know shit about Kevin Corrigan, I guess he's a working actor, he really comes across as so sweet and genuine. Going through a rough period, looking for work and not finding it. He's so raw and honest, and he's a real fan of Kozelek's music, and music period. And film. He's a passionate lover of the arts. Kozelek will muse on some movies, or a book (not much a reader by his own account) here and there. But Kozelek doesn't show the depth of emotion that Corrigan does. Kozelek seems dedicated to his work and his work alone, and also mentions he doesn't listen to music really much any more. It kind of shows. I think a good painter needs to be self absorbed, needs to be driven and obsessed, but also must look to the masters to see what can be done. How can the work be elevated? I think part of honing your craft isn't comparison, but at least fucking knowing what's going on, you know?
So the conceit of the books, if you don't know is every day for a year, these two exchange emails. Have you ever talked to someone and you get the feeling they're not listening, they're just waiting for their turn to talk. That's the vibe I get. When Corrigan asks him meaningful questions, I mean, detailed stuff that any musician would be happy to answer, because (as I am one too!), we are all creatures of ego. We serve ego. Corrigan isn't asking banal "what is this song about" or "wow. this is cool. are you_____?" questions. He really asks good questions about the music of Mark Kozelek of whom I'm sure he met as a fan first, then now a friend. Kozelek kind of never actually answers him, preferring to just talk about inability to get out of bed, or an extended scene of him crying (literally) over being frustrated about Canadian taxes. Kozelek, and it pains me to say this, he's not a listener. He's a waiting for his turn to talk guy. And when he does talk, it's not a brilliant oratory of whimsical observations, it's about him eating fucking cucumbers and hummus and buying iced tea, or the length of his walk that day.
When Corrigan is fighting, as Nick Drake once said, the black dog of depression. He is low in work, his daughter and wife are doing well, but he himself is struggling with real issues of inadequacy and fear and doubt, rather than come alongside his friend, Kozelek just talks about his two (TWO!!!!) vacation homes, and bitches about them, and when he finally offers encouragement he goes "I saw you in this movie and you were great!!!!" or "someone will see how talented you are! You'll be working in no time!" Just very fucking hollow sentiments. If that makes sense. It made me feel extra sorry for Corrigan. He's got a health issue, he wants to drink, he wants to smoke, but he's just kind of suffering in silence to try and get to the next level, meanwhile, Kozelek, unaware is in a career tailspin. No concern for what's coming next.
I don't think Kozelek has any friends. Or rather, he doesn't have friends he hasn't previously slept with. So, the book is 365 day snapshot as to what these guys are doing. A year is a fairly good sample size. Kozelek has a tour, a writing and recording cycle. International tour, and vacation time. It's a good sample size I'd think of his year. He goes out two or three times with one of his musical collaborators, but not really any of the guys in his band. He in fact has this "road camaraderie" thing where he paints himself the good guy for not upgrading to first class or staying at a nicer hotel than his band guys on a travel date. I don't know, it comes across as total dickhead shit. He doesn't really hang with his band... which is fine! He doesn't have to. They are his employees after all. But any time he has some sort of hang out session or dinner or lunch with a friend (not including his aging parents), it's always with a female of whom he takes special care to note that they used to date and fuck. As if we needed it clearly spelled out. He's not as direct as saying "fuck" but he does reference having sex with them a couple of times I remember, and it's like... yeah dude. You fucked your girlfriend. I get it. He does a remarkable job at keeping in touch and keeping lines of communication open with his exes. Dude should teach a course on that. There are a fucking half dozen or so he lunches with in this book. Poor Caroline... we know her only in song. I guess she's okay with all of this, who knows their romantic arrangement, definitely some kind of open thing. They do seem to love and care for each other so much in the book, but yet they often bicker and quarrel. Including her breaking up with him, and he has to beg for her to come back. Their "second or third" breakup in ten years. Caroline has become a part of the lore through song and now through their dinners and dates and travel in these books. I wonder how she's doing through all this. If she's sticking by him or if she's dumped him like a ton of bricks. I guess I can see both. I bet she's pissed either way.
It annoys me when Kozelek, who has his own indie label, distributed by an indie distro is always trying to buy stuff on amazon, or have caroline look things up for him. It kind of reeks of entitled baby. Like, here he is on a laptop, using email, and Corrigan will make a reference and it's "caroline will have to google that for me." He just seems to need to be taken care of way more than the average person. Very soft, emotional, and needy. But, we know that. One part that I found myself to be very sympathetic with him is that he puts out a record and no one except Caroline says "happy release day" or congratulates him on it. I think he said his engineer did that once. And that's a weird relationship, he has no friends, but ends up hanging with this young engineer who has been thrust on him at Hyde Park Studios. "here, young guy... you take this aging indie rocker." But anyway, I get it. He's prolific, and so he puts out a lot. This isn't about me, but I'm a musician. I guess I get tagged as prolific as well, and I feel him here. It's nice to have someone just say "congrats on a new record out!" from your friend group. It's only strangers and fans who acknowledge you. It's painful when your friend group doesn't, or just assumes it's whatever. Being a musician is a fragile business of ego. So I felt his hurt here. If you have friends in a band, and they put something out, just text them and say congrats on releasing it. Be kind. It goes a long way. Caroline taking him out for dinner to say congrats on a new album... I felt that. But maybe he doesn't have friends... Katy comes up a lot... i guess he's still not over that. That's fair though. We all have that one relationship we never quite get over.
One thing that's funny to me, and maybe it's because of my DIY hardcore punk background and my modest (middle class) upbringing in the midwest, but it seems like Kozelek is either loaded or very bad with money. Spendy. That's kind of annoying. This is just a personal observation. Who the fuck am I to judge how another man spends his money, but if he writes about it in a book very flippantly about how much he spends on fancy shoes he will wear once, then I guess he's inviting an opinion. I'm shocked he has two vacation homes, but that makes me happy! Good for him. He has worked hard (I think?) to earn those. He also comes from a modest upbringing, and loves to dunk on Ohio whenever he can. He's very Ohio. He's very much that insecure guy who feels misunderstood... to this day. The difference being is that he's had 20+ years in a career where he is making himself understood by song, and if he still feels that way... it's definitely the root of something much much deeper. I'm no shrink, so I'm not going to unpack that. Dude is 52 and kind of in a weird spot.
He (Kozelek) genuinely feels like the music he is making is some of his finest, and very bold and uncompromising. Something funny... he mentions Nick Cave a few times... but be kind of speaks of Nick Cave as like, a contemporary? An equal? It was interesting insight. He thinks of himself as a creative equal to nick cave. Judging creativity is for the birds, but let's just look at records sold and asses in seats... they are not the same. Even at his Benji level, he wasn't doing Cave numbers. Maybe he was in the early 90s? I don't think so though. Kozelek is in a tough spot. He feels he is being fearless and brave on record like Lou Reed or Bowie (he is!), but his concert attendance and record sales aren't reflecting that. He mentions numbers at shows sometimes and it's shocking. Like... is 70 people a good show for him? I guess so. And especially with his aggressive (sometimes) banter with the crowd and the new long form songs... people that are going are hanging on by a thread I think. He cancelled a concert in some European country because the promoter only sold 40 tickets. He claims it's because the promoter only promoted the event on facebook but Kozelek notes several times he's touring the same venues playing the same rooms, if not smaller and smaller rooms and attendances every time.
I was so pissed when he decided to cancel that show for 40 people and stay in his upgraded hotel suite. Like, that's real insight into that man's head. He fucking sucks for that. 40 people bought tickets and he could have performed to an engaged, responsive, sympathetic crowd, but instead felt entitled to more ticket sales and bigger crowds and didn't go. His bandmate Ben Boye wanted to go play the show (I'm sure Boye got paid no matter what, but a small show is better than no show). That part just made me want to throw my book down in disgust as he wrote some snide cancellation announcement, then had the gall to copy and paste it in an email to his friend. Like... what a fucking idiot. If you think the way to grow an audience is to cancel... dude. You're about to fall on hard fucking times forever. Your ass got cancelled by half of your fanbase, and the other half who stuck around can't really make excuses for you because you've been a hard-on on stage for the last 10 years, so enjoy playing to 14 people if shows ever happen again. I'm sure 14 is a low number, but like... dude, maybe it isn't. Maybe 40 people is a good show for you. Maybe that's something that's actually amazing. 40 people in a foreign land, thousands of miles from you, heard your songs and wanted only to be in your presence that night to hear you sing. And you told them to fuck off. That's just so rancid to me. I hate it, I hate it, I hate it.
Meanwhile, Corrigan's mother is slowly dying, his father has passed and the bottle of champagne they bought to celebrate their son's first Academy Award is still cold in the fridge. Corrigan seems intent on trying to find work, going to a diner and writing, trying out for parts... meanwhile his co-author is complaining about his gut growing and the way foreign hotels are uncomfortable, or how any hotel is uncomfortable. Kozelek is just such a whiny little baby. Nothing is good enough. Everything sucks. Everything was better back then... he's so nostalgic for a person who is creating such in-the-moment music.
At one point Kozelek recounts his asked management what would sell more tickets, records, etc. And they said social media presence. All book long Kozelek berates social media and does again, come off like a grumpy boomer. I get it... twitter and instagram are whack for a 22 year old, much less a 52 year old, but if you want people to care about your art... if your art is changing with the times, maybe it's time for you to change with the times? Plus... this whole being unreachable thing... that shit works for Frank Ocean and Beyonce. That's about it. Everyone else wants you to have an IG page where they can post a comment and hopefully maybe you'll read it. Or they want you to favorite a tweet of theirs. It's so fucking small and little. Social media is mostly gonna just be people gassing you up anyway! Of course there will be haters, but a social media hater doesn't have the same gravitas as like... a bad review in magazine in 1994 would have. That's black and white, on the page. Forever. The internet is two fucking seconds. Some clown calls you a clown, and that's it. End of story. Keep it fucking moving. Dude wants to bring up he has a flip phone and talk about how he's a semi-luddite and doesn't play guitar anymore... well... guess what you Massilon hick, no one will care if the only output they have from you is through a press agent or management that's getting paid to say stuff for you. Get a fucking instagram, you twat. It sucks. But we all have to do it. Now it's too late, you've got half your fans alienated thinking you're a serial sexual assault guy. Woof.
Anyway, how's that for a Kozelek style review? I know I left out many thoughts and observations. But this is lonnnnngggggggg. Who else read these painful middle aged pages?
submitted by asmade to sadreminders [link] [comments]


2020.09.03 03:15 chellemedus Probably an unpopular opinion: the last 9 episodes of season 8 aren't that bad.

I'm at the end of binge watching that 70's show and as usual, I've been hating season 8 as it is so dreadful and not funny. But I just realised starting from about episode 14 it's not as bad as I remember. I'm on episode 20 right now and have genuinely been enjoying the last few episodes? Obviously there's still some shit jokes (mainly Fez in my opinion), but overall the plot line is better than the first half of the season. I was thinking maybe it's because the episodes are more centred around Red & Hyde who are 2 of my favourite characters and also the characters that I believe stay the same even in season 8. Thoughts?
submitted by chellemedus to That70sshow [link] [comments]


2020.09.03 02:20 originalmuggins [OC] What To Expect From Rookie Running Backs Based on History

One question we often face in drafts is how to rank rookie running backs. It's an extremely important question, and unlike when we rank other players, we don't really have a solid "expectation" line to work from, so it's important to have expectations. We are all optimistic and excited, so we can see the path where these young players are the next league-winners. Even though every situation is unique, and the performances of prior players doesn't dictate the future, I think we can analyze how rookies have been perceived in the past and how they ended up performing to give us an idea of what to expect this year.
First off, the most important thing when predicting running backs is opportunity. Running backs that get the work get the fantasy points. So this focuses on usage; obviously some players perform better than others on a per-touch basis and there is some nuance.
Method: I took every RB drafted in the first 3 rounds of the NFL draft in the last 5 years, and tried to capture the "narrative" around fantasy draft time (including what round they were drafted in fantasy). I got draft round from FFCalculator historical ADP (ppr) and looked at news reports from around that time for details. Then I assessed the performance and any important developments that led to that. For each player I gave a rough number of total yards and total touchdowns (you can obviously get more nuanced with catches, etc. but the focus of this is on touches).
Here's what I found:
10 running backs were anticipated to be clear starters on their team.
These players were all drafted between the 1st and the 5th round in fantasy drafts, and were largely good picks (especially factoring in the inherent risk to all fantasy players). Gurley, Zeke, Fournette, Saquon, Jacobs, Hunt, and Dalvin Cook (before he got injured) were all living up to the draft hype. Notice that 5 of these 7 were drafted in the 1st round of the NFL draft, 1 was drafted in the 2nd round, and 1 was drafted in the 3rd round. Gordon, T.J. Yeldon, and Montgomery were all starters but had underwhelming rookie seasons. Still, for each of them, you did get the team's starting running back. Overall, at worst you had a 60% win rate on these picks (counting Cook as an injury bust).
EDIT: As u/Lessthansubtleruse pointed out (great name btw), Hunt only got his 2nd round ADP after Ware tore his ACL pre-season. He would have been a late round stash otherwise (see third group). What this means is that it’s exceedingly rare for RBs drafted after the 2nd round to be slated as a highly productive every-down back from day 1 as a rookie, without an unexpected injury.
12 running backs were projected to be part of a true committee, or were otherwise in situations that were unclear to start the season.
These players were drafted all over the place, between the 2nd and 13th round. This disparity makes sense, because the category includes players projected to take over the workload based on talent, as well as obvious committee-types. But here's what's crazy: Only one of these players was even close to being a fantasy league winner. McCaffrey (2nd round) never fully got past Jonathan Stewart. Penny (8th round) never got past Carson. Michel (7th round) never fully took over the committee. Abdullah (4th round) never took over from Joique Bell. Mixon (4th round) never took control over Hill and Bernard. Sanders (5th round) never emerged from the committee with Jordan Howard until after Howard got hurt. Henry (7th round) never got past DeMarco Murray. Coleman (7th round) never got past Freeman. M. Jones (11th round) just wasn't good. Royce Freeman (3rd round) never took over from Lindsay and Booker. Singletary (7th round) did slowly emerge as a pretty good option, but it took a while even though Gore was 36. Damien Harris (13th round) barely played.
Obviously the expectations for these players were all over the place. But none of these players won leagues for you. Sure, in PPR McCaffrey was a fine flex by the end of the year. Miles Sanders was extremely frustrating until injuries cleared the way for him. And Singletary was a fine flex late if you were good enough and patient enough to wait. But other than that, they were all busts. At best, you had a 17% win rate (CMC did not justify a 2nd round pick in his rookie season).
8 running backs were projected to be clear backups.
This is where the fantasy gold came from, but there was almost no way you could predict it. These players were taken in the 8th round or later (most 10th round or later), and were either totally irrelevant or totally awesome. But the things that led to 3 of the 8 being awesome were entirely unpredictable. First, the "busts" (although they were cheap): Ronald Jones (10th), Drake (Undrafted), Foreman (14th), Conner (Undrafted), D. Henderson (8th, because we all thought Gurley would get hurt). Then the fantasy gold: Chubb (undrafted), David Johnson (11th), Kamara (12th round).
But looking closely: Chubb was a straight back-up to Carlos Hyde. There was no controversy. If you drafted Chubb, you likely dropped him (unless you are in a deep league). He had 3 touches or less in each of his first 6 games. If you have the patience to hold onto a player like that with no sign of anything changing, great. Because after 6 weeks the Browns traded away Carlos Hyde and gave Chubb the starting job. He ran away with it and finished the year extremely strong.
Similarly, Kamara was mired in a backfield with both Ingram and Peterson. Unlike Chubb, he did get involved early. But not nearly enough to warrant starting him on a week-to-week basis. Then the Saints traded Peterson, and gave Kamara an even split with Ingram. Both ended up being excellent fantasy running backs, but only after the AP trade.
Finally, David Johnson was a clear backup behind not one, but two players: Andre Ellington and Chris Johnson. In every league I was in, the DJ owner dropped him. Because who wants to waste bench space on a third-string player? He averaged 3 carries a game for the first 11 weeks. That's a waste of a roster spot. Then what happened? Both Ellington and Johnson got injured in the same game. Johnson took over and didn't look back.
In each case of success, something unpredictable happened (two trades and a couple injuries). But this led to huge fantasy success for the teams that tapped in (likely on waivers for Johnson and Chubb).
*I did not include in this analysis: Derrius Guice (who was put on IR before the season), Duke Johnson, or C.J. Prosise (both of whom were strictly passing-down backs from the beginning).
2020 Conclusions:
  1. I'm buying into Clyde Edwards-Helaire. He is the clear starter, a 1st round pick, and has a fantastic situation. There is no reason to hesitate here and think he won't fall somewhere in between Gurley/Zeke/Saquon and Josh Jacobs as a rookie.
  2. I am not taking Jonathan Taylor anywhere. He is in a full-blown committee with Mack and Hines. It looks like a great offense, and I'm sure he'll be a contributor. But the odds of him having league-winning upside without an injury or trade are just not high enough for me to warrant taking him over the other players in round 3.
  3. I'm torn on Cam Akers but I'm typically shying away. Prior to the Henderson injury, I was out. Another full-blown committee. I'm also hearing that Malcolm Brown is still getting first-team reps. I project him more like a Devin Singletary, where he could come on strong at the end of the year. If you are confident enough to survive early with him on the bench, he may be worth it in the 5th or so.
  4. I'm out on D'Andre Swift. Similar to Akers, except he's the one who is hurt. In ppr he should be an okay flex at best, but he likely doesn't offer league-winning upside and you need that where you have to take him.
  5. J.K. Dobbins is the right kind of lottery ticket to hold onto, but his price is going up and up and so he's no longer worth it. He went in the 5th round of my most recent draft. That's too expensive. If nothing happens to Ingram, he will not be worth that price. But if they trade Ingram or Ingram gets hurt, he has the type of talent and situation to finish the season like David Johnson or Nick Chubb. I love that opportunity in the 8th round or later.
  6. I'm out on Zack Moss, unless he falls to the 8th or 9th. Even then, if Singletary is healthy you're just holding and hoping with him because he won't have enough of a role to start. If you have a deep enough bench, you can afford to wait. Otherwise he's not that interesting at his cost.
  7. I want no part of Antonio Gibson or Keshaun Vaughn. Instead I'm taking Joshua Kelley and A.J. Dillon. None of those four will be every-week starters (obviously). But when you are stashing lottery tickets essentially for free, you want the ones with league-winning upside if things go your way.
EDIT: Following AP’s release, Gibson obviously becomes much more interesting. If the Washington Football Team announces “Gibson is our guy” or if we have reason to think he is an every-down player from week 1, then I think he could definitely pan out. I’m still skeptical given his lack of rushing experience (hasn’t necessarily learned the vision and instinct that is crucial), so I won’t be over-spending for him, but “I want no part of Gibson” has definitely softened following AP’s release.
Here are my detailed findings in case you're interested:
2015:
1(10) - Todd Gurley
Narrative: Drafted in the 5th round despite recovering from ACL tear; anticipated immediate starter over Tre Mason when healthy.
Reality: Came off injury and tore it up for 14 games as the starter (1300 yards, 10 TDs in 14 games).
1(15) - Melvin Gordon
Narrative: Drafted in the 4th round as the presumed starter with Woodhead taking some passing work.
Reality: Started, got the early down work, but never really took over and had an underwhelming 800 yards and 0 TDs.
2(36) - T.J. Yeldon
Narrative: Drafted in the 5th round as the unquestioned starter but in a bad offense.
Reality: Got all the work, had 1000 yards and 3 TDs in 12 games.
2(54) - Ameer Abdullah
Narrative: Drafted in the 4th round, expected to be in a committee with Joique Bell but expected to take over as the more talented back.
Reality: Shared time with Joique Bell all year, and only had 5 games with 10+ carries. 800 yards and 3 TDs on the season.
3(73) - Tevin Coleman
Narrative: Drafted in the 7th round, expected to be 1A to Devonta Freeman's 1B (drafted in 9th round).
Reality: Played second-fiddle to Freeman, and ended with 900 yards and 4 TDs (to Freeman's 1600 yards and 14 TDs).
3(77) - Duke Johnson
Narrative: Drafted in the 10th round as a ppr, third-down specialist behind Isaiah Crowell.
Reality: Got his anticipated 3rd-down work for 900 total yards and 2 TDs.
3(86) - David Johnson
Narrative: Drafted in the 11th round as a high-upside rookie stash who should take over the backfield combination of Andre Ellington and (an aging) Chris Johnson.
Reality: Averaged 3 carries a game for 11 weeks, then both Ellington and Johnson got hurt in the same game and he became the starter instead of a third-string player. Played very well to end the year, ending with 1000 yards and 12 TDs.
3 (95) - Matt Jones
Narrative: Drafted in the 11th round as part of a committee with Alfred Morris.
Reality: Played in a committee all year for 900 yards and 4 TDs.
2016:
1(4) - Ezekiel Elliott
Narrative: Drafted in the 1st round as a highly talented lead back behind a good offensive line.
Reality: Crushed it on 360+ touches for 2000 yards and 16 TDs.
2(45) - Derrick Henry
Narrative: Drafted in the 7th round as the eventual replacement for Demarco Murray (drafted in 4th round), who was coming off a 3.6 ypc year and switching teams.
Reality: Had 10+ carries only 4 times, for 600 yards and 5 TDs. Never supplanted Murray.
3(73) - Kenyan Drake
Narrative: Largely undrafted, behind Arian Foster and Jay Ajayi in Miami. True dice-roll.
Reality: Got 33 carries and 10 targets the entire year, was a total non-factor.
3(90) - C.J. Prosise
Narrative: Undrafted pass-catching specialist. No big workload projected.
Reality 400 yards and 1 TD as a part-time third-down back.
2017:
1(4) - Leonard Fournette
Narrative: Drafted in the 3rd round, expected to carry the load from day one.
Reality: Carried the load from day one, to the tune of 1300 yards and 10 TDs in 13 games.
1(8) - Christian McCaffrey
Narrative: Drafted in the 2nd round, expected to be a versatile player with a lot of catches but not as many carries, sharing time with starter Jonathan Stewart.
Reality: Only got 117 carries, but had 80 receptions. Totaled 1100 yards and 7 TDs as part of a committee.
2(41) - Dalvin Cook
Narrative: Drafted in the 3rd round, expected to lead the team and dominate touches over Latavius Murray, who likely will steal goal-line work.
Reality: Dominated for 3 and a half weeks before getting injured for the season. 450 yards and 2 TDs in three and a half games.
2(48) - Joe Mixon
Narrative: Drafted in the 4th round, despite Jeremy Hill being the "nominal" starter. Expected to overtake Hill and lead the committee based on talent.
Reality: Had some games where he dominated touches (22 and 25 touches in weeks 10-11), but never really took complete hold of the job (getting 8 and 5 touches in weeks 12-13, for example). 900 yards and 4 TDs.
3(67) - Alvin Kamara
Narrative: Drafted in the 12th round, not expected to have a huge role right away behind Mark Ingram and Adrian Peterson.
Reality: Mixed in from the beginning, but not fantasy relevant until Adrian Peterson was traded after week 3. Played a 3rd-down role (only 5 games with 10+ carries and none with more than 12), and had over 1500 yards and 13 touchdowns (while Ingram also had 1500 yards and 12 touchdowns).
3(86) - Kareem Hunt
Narrative: Drafted in the 2nd round as the anticipated starter in a great offense for running backs.
Reality: Killed it. 1800 yards and 11 touchdowns.
3(89) - D'onta Foreman
Narrative: Drafted in the 14th round as a backup to Lamar Miller.
Reality: Got a portion of the workload early on before hurting his ankle. 400 yards and 2 TDs in 9 games.
3(105) - James Conner
Narrative: Largely undrafted, because Le'Veon Bell in his prime was not giving touches to anyone.
Reality: Bell started the whole year and Conner was strictly a back-up.
2018:
1(2) - Saquon Barkley
Narrative: Drafted in the 1st round as an exceptional talent with no competition for touches.
Reality: Killed it. 2000 yards and 15 touchdowns.
1(27) - Rashaad Penny
Narrative: Drafted in the 8th round, because he had a bad training camp and Chris Carson excelled (drafted in the 6th round). Expected to be in a committee.
Reality: Played in a committee for 8 games before getting hurt; 450 yards and 4 TDs.
1(31) - Sony Michel
Narrative: Drafted in the 7th round, right around the area of Rex Burkhead. Patriots notoriously ambiguous about projected usage.
Reality: Handled a majority of the early-down work when not injured, for 1000 yards and 6 TDs.
2(35) - Nick Chubb
Narrative: Undrafted, because he was strictly a back-up to Carlos Hyde to begin the year.
Reality: Didn't see more than 3 touches in a game through the first 6 weeks, then the Browns traded away Carlos Hyde and he took over the #1 spot. Finished very strong, with 1100 yards and 10 TDs.
2(38) - Ronald Jones
Narrative: Drafted in the 10th round, listed as the third back on the depth chart (behind Peyton Barber and Jacquizz Rodgers) after a rough preseason.
Reality: Did basically nothing as a rookie.
2(59) - Derrius Guice
Narrative: Undrafted, because he got put on IR before the season started.
Reality: Didn't play.
3(71) - Royce Freeman
Narrative: Drafted in the 3rd round, because he was expected to dominate touches over Devontae Booker and Philip Lindsay, but the pecking order was unclear.
Reality: Never took control of the backfield as expected; ended with 600 yards and 5 TDs in 14 games.
2019:
1(24) - Josh Jacobs
Narrative: Drafted in the 3rd round, as the day 1 starter.
Reality: Dominated touches for 13 games before getting hurt, totaling 1300 yards and 7 TDs.
2(53) - Miles Sanders
Narrative: Drafted in the 5th round, expected to share with Jordan Howard at first and take over based on talent as the season goes on.
Reality: Shares fairly evenly with Jordan Howard at first, averaging around 8 carries and 3 targets a game. Then Jordan Howard gets injured and Sanders doubles his touches down the stretch. Ends with 1300 yards and 6 TDs.
3(70) - Darrell Henderson
Narrative: Drafted in the 8th round as an exciting upside play for when Todd Gurley inevitably gets injured.
Reality: Gurley doesn't get hurt, and Henderson just never shows out.
3(73) - David Montgomery
Narrative: Drafted in the 3rd round, because there is little competition for touches and he is slated for the early-down role.
Reality: Gets the touches but is very underwhelming, totals 1100 yards and 7 TDs.
3(74) - Devin Singletary
Narrative: Drafted in the 7th round as a high-upside rookie who should inevitably supplant the 36-year old Frank Gore as the lead back.
Reality: Slowly scaled up as the season went on after dealing with some early injuries. Ends with 950 yards and 4 TDs in 12 games.
3(87) - Damien Harris
Narrative: Drafted in the 13th round as a popular sleeper pick to take over the Patriots' backfield.
Reality: Ends his rookie season with 4 carries for 12 yards; hardly ever active.
submitted by originalmuggins to fantasyfootball [link] [comments]


2020.09.02 20:35 ikarus_rl EU Weekly Recap: Week 4

Team BDS (401/210)

· The Results: Qualified for week two of Regionals 3-0; lost in Grid quarterfinals to Oxygen (60 pts)
· The Good
· The Bad
· Stat of the Week

Top Blokes (300/281)

· The Results: Qualified for week two of Regionals 3-2; won Grid week 4 (201 pts)
· The Good
· The Bad
· Stat of the Week

Renault Vitality (250/471)

· The Results: Qualified for week two of Regionals 3-0; lost in Grid quarterfinals to Top Blokes (60 pts)
· The Good
· The Bad
· Stat of the Week

Giants Gaming (200/551)

· The Results: Qualified for week two of Regionals 3-0; lost in Grid semifinals to Oxygen (100 pts)
· The Good
· The Bad
· Stat of the Week

Guild Esports (200/150)

· The Results: Qualified for week two of Regionals 3-2; lost in loser’s round 2 to Oxygen (30 pts)
· The Good
· The Bad
· Stat of the Week

Solary (200/170)

· The Results: Qualified for week two of Regionals 3-1; lost in loser’s round 2 to Liquid (30 pts)
· The Good
· The Bad
· Stat of the Week

Dignitas (170/60)

· The Results: Eliminated from Regional 2 in Swiss 1 (1-3 record) (20 pts); lost in loser’s round 1 to Liquid (10 pts)
· The Good
· The Bad
· Stat of the Week

Endpoint (150/290)

· The Results: Qualified for week two of Regionals 3-2; lost in Grid semifinals to Top Blokes (100 pts)
· The Good
· The Bad
· Stat of the Week

Monkeys (150/80)

· The Results: Qualified for week two of Regionals 3-1; lost in loser’s round 2 to Vitality (30 pts)
· The Good
· The Bad
· Stat of the Week

Triple Trouble (130/371)

· The Results: Eliminated from Regional 2 in Swiss 1 (2-3 record) (30 pts); lost in loser’s round 1 to Singularity (10 pts)
· The Good
· The Bad
· Stat of the Week

FC Barcelona (120/180)

· The Results: Qualified for week two of Regionals 3-1; lost in Grid quarterfinals to Giants (60 pts)
· The Good
· The Bad
· Stat of the Week

Team Singularity (100/150)

· The Results: Eliminated from Regional 2 in Swiss 1 (2-3 record) (30 pts); lost in loser’s round 2 to Barca (30 pts)
· The Good
· The Bad
· Stat of the Week

Team Liquid (80/210)

· The Results: Qualified for week two of Regionals 3-1; lost in Grid quarterfinals to Endpoint (60 pts)
· The Good
· The Bad
· Stat of the Week

Oxygen (60/460)

· The Results: Eliminated from Regional 2 in Swiss 1 (2-3 record) (30 pts); lost in Grid finals to Top Blokes (150 pts)
· The Good
· The Bad
· Stat of the Week

Libertas (70/ 130)

· The Results: Qualified for week two of Regionals 3-1; lost in loser’s round 1 to Solary (10 pts)
· The Good
· The Bad
· Stat of the Week

Chalked (20/40)

· The Results: Did not qualify for Regional 2 (0 pts); lost in loser’s round 1 to Guild (10 pts)
· The Good
· The Bad
· Stat of the Week

There is your EU recap for last week! I know it's a bit late, but life happened this week. I'll be back with an NA recap next, but I want to take the temperature of the room: are the recaps useful? Should I try to put out Grid recaps over the weekend instead of the early part of the week? Either way, there will be a new tier list for EU next week after the second Fall Regional wraps up. As always, thanks for reading!
submitted by ikarus_rl to RocketLeagueEsports [link] [comments]


2020.09.01 01:29 Moon-Nari_bish Hyde from That 70s Show when he had long hair. He did some terrible stuff to his friends but he fine asf ;)

submitted by Moon-Nari_bish to trashyladyboners [link] [comments]


2020.08.30 20:06 70sShow_Hyde [REQUEST] Feeling conflicted about my ideology, am i a fascist?

Image post on my profile showing test results
I do not know what ideology is truly mine for some contradictions in my beliefs and the results i have got from tests.
Here's my beliefs condensed into a hopefully short body of text:
-Economically third positionist, favoring some welfare, but prioritizing state owned industry and otherwise "centrist" practices. Nearly fully-isolationist economy, self-sufficiency.
-Nationalist. I am very proud of my homecountry and believe we could and should become more self-sufficient. I want our country to get out of the European Union and stay as far away from NATO as possible. I want to get rid of the Euro and return to our old currency. I am not anti-immigration if it is legal, but think there should be strong border protection and immigrants should provide a benefit for our country by getting a job and doing things to better the society they live in instead of leeching off of social support.
-Very authoritarian. I believe there should be a strong state and i view anarchism as a thing that should be wiped out (being an ex-anarchosocialist i do know and understand anarchists. But i think it is a style of thinking that people should grow out of). I think our president should be given much more power in decision making. Democracy is not important for me. I would not have problems with a dictator if they were benevolent towards the nation.
-Very anti-technology and "anti-modern life". I hate modern technology and hi-tech stuff like Artificial Intelligence straight up scares me. I think we should take a step back and go back to a time where technology was used to help humans. Nowadays we are slaves to technology. Just look at everyone on their phones. Look at me typing this on my phone... Mobile phones are the one thing after AI that i hate most. Old Nokia phones from the 90s and early 00s were the pinnacle of phones, if someone wishes to use a phone at all. I'm worried by the fact that people don't send mail anymore. No one sends letters anymore. Even in school we use computers instead of pen and paper. We are becoming intellectually dependent on technological devices. I see this as a dangerous thing.
-Conservative? I am pro-life, but accept abortion when it is due to e.g. rape or when the woman's life is in danger. I am strongly against all drugs and all pornography, nothing more to say on that. I don't see a problem with "the patriarchy", and think that feminism isn't what it used to be anymore (wanting to kill all men for example is not feminism in my opinion. Feminism was, and should be equal chances and rights for men and women). I am pro-guns. I prefer paying by cash and think these "Mobile Pay" things where you pay with your phone are one of the stupidest inventions done in the past years. I admire past societies and overall the life of past generations.
-Pro-LGBT! I am a part of the lgbt+ community myself and support the fact that people should be free to identify with whatever sexuality, romantic-, or gender-identity they want to. This strongly fights against my otherwise conservative beliefs.
So help me out if you can please, because having tests say I'm a fascist while me being pro-lgbt is confusing, since fascism takes a stance far more traditional than i think i do... Am i a fascist? Can a fascist be pro-lgbt? I certainly wouldn't go walking around declaring myself a fascist, that term has so much negativity attached to it...
Thankyou everyone who read this far and hopefully i can get some thoughts from you all! Please feel free to ask any questions you have too!
submitted by 70sShow_Hyde to WhatsMyIdeology [link] [comments]


2020.08.28 19:55 autobuzzfeedbot 27 TV And Movie Characters Who Didn't Get The Romantic Endings They Deserved

  1. Rachel could have done way better than Ross in Friends.
  2. Katniss would have been better off by herself in The Hunger Games.
  3. Serena and Nate were clearly the better couple in Gossip Girl.
  4. Ted getting together with Robin at the end of How I Met Your Mother was so messed up.
  5. Katara and Zuko would have balanced each other out perfectly in Avatar: The Last Airbender.
  6. Bonnie should have gotten her happy ending with Enzo in The Vampire Diaries.
  7. Hermione was way too good for Ron in Harry Potter.
  8. Shawn and Angela showed us what true love looked like in Boy Meets World.
  9. Mia and Sebastian not ending up together in La La Land was a huge disappointment.
  10. Callie and Arizona were meant to be in Grey's Anatomy.
  11. Jess helped Rory grow as a person in Gilmore Girls, and that's so important.
  12. In To All the Boys: P.S. I Still Love You, Lara Jean and John Ambrose were obviously the ideal match.
  13. Stefan and Elena made way more sense in The Vampire Diaries.
  14. Archie and Betty from Riverdale would have made all our high school fantasies come true.
  15. Sam and Mercedes were the cutest couple on Glee.
  16. Hayley and Andy had the cutest vibes on Modern Family.
  17. Missandei and Grey Worm were a glimmer of hope in the dark world of Game of Thrones.
  18. In Grey's Anatomy, Alex deserting Jo to run back to Izzie destroyed his character arc.
  19. Jackie and Hyde from That '70s Show clearly belonged together.
  20. Jess and Sam had sooo much chemistry in New Girl, and we deserved to see that play out.
  21. In Buffy the Vampire Slayer, Willow moving on from Tara's murder with Kennedy was a mistake.
  22. Peyton and Jake were such a pure couple in One Tree Hill.
  23. In Scandal, Jake brought out the best in Olivia.
  24. Veronica and Reggie's relationship in Riverdale was more meaningful than her lust for Archie.
  25. Laurie and Jo should have gotten together in Little Women.
  26. Jane and Michael were perfect together in Jane the Virgin.
  27. And Black Widow and Captain America would have given us a truly epic romance.
Link to article
submitted by autobuzzfeedbot to buzzfeedbot [link] [comments]


2020.08.26 11:20 tombstoneshadows28 Peter Cushing is the Star of the Month for October, 2020 on TCM (U.S.)

Every Monday from 8:00 p.m. till just after the sun comes up.
Thursday, October 01, 2020
(12:00 AM) (drama) Up The Down Staircase (1967/124 m/Robert Mulligan)
(2:15 AM) (comedy) Our Miss Brooks (1956/85 m/Al Lewis)
(4:00 AM) (drama)The Corn Is Green (1945/114 m/Irving Rapper)
(6:00 AM) (comedy) Girl He Left Behind (1956/103 m/David Butler)
(8:00 AM) (war) Lafayette Escadrille (1958/93 m/William A. Wellman)
(9:45 AM) (comedy) Dondi (1961/100 m/Albert Zugsmith)
(11:30 AM) (epic) The Shoes of the Fisherman (1968/162 m/Michael Anderson)
(2:15 PM) (crime) Ring of Fire (1961/91 m/Andrew L. Stone)
(4:00 PM) (suspense) Twenty Plus Two (1961/103 m/Joseph M. Newman)
(5:45 PM) (horror) Marooned (1969/129 m/John Sturges)
(8:00 PM) (drama) La Strada (1954/108 m/Federico Fellini)
(10:00 PM) (romance) Two for the Road (1967/111 m/Stanley Donen)
Friday, October 02, 2020
(12:00 AM) (romance) Dodsworth (1936/101 m/William Wyler)
(2:00 AM) (documentary) The Memphis Belle: A Story of a Flying Fortress (1944/40 m/Lt. Col. William Wyler)
(3:00 AM) (drama) Black Girl (1966/60 m/Ousmane Sembene)
(4:15 AM) (drama) The Music Room (1958/99 m/Satyajit Ray)
(6:00 AM) (comedy) Go West (1940/80 m/Edward Buzzell)
(7:45 AM) (comedy) The Big Store (1941/83 m/Charles Riesner)
(9:30 AM) (comedy) Double Dynamite (1951/81 m/Irving Cummings)
(11:00 AM) (comedy) Girl In Every Port (1952/86 m/Chester Erskine)
(12:30 PM) (comedy) A Day at the Races (1937/109 m/Sam Wood)
(2:30 PM) (comedy) At the Circus (1939/87 m/Edward Buzzell)
(4:15 PM) (comedy) A Night at the Opera (1935/91 m/Sam Wood)
(6:00 PM) (epic) The Story of Mankind (1957/100 m/Irwin Allen)
(8:00 PM) (horror) Dracula (1931/74m/Tod Browning)
(9:30 PM) (suspense) Cat People (1942/73 m/Jacques Tourneur)
(11:00 PM) (horror) House on Haunted Hill (1958/75 m/William Castle)
Saturday, October 03, 2020
(12:30 AM) (horror) The Haunting (1963/112 m/Robert Wise)
(3:45 AM) (premiere) Wigstock: The Movie (1995/85 m/Barry Shils)
(5:15 AM) (short) The Relaxed Wife (1957/13 m/?)
(5:15 AM) (short) Time Out for Trouble (1961/19m/David S. Glidden)
(6:00 AM) (comedy) Million Dollar Baby (1941/101 m/Curtis Bernhardt)
(8:00 AM) (premiere) MGM CARTOONS: The Peachy Cobbler (1950/7 m/Fred (Tex) Avery)
(8:08 AM) (short) Phonies Beware! (1956/8 m/Larry O'Reilly)
(8:17 AM) (short) Night Life in Chicago (1948/9 m/?)
(8:27 AM) (premiere) Arctic Fury (1949/61 m/Norman Dawn)
(9:30 AM) (premiere) THE WILD WEST DAYS: Redskins’ Revenge (1937/?/?)
(10:00 AM) (premiere) POPEYE: Baby Wants a Bottleship (1942/7 m/Dave Fleischer)
(10:08 AM) (adventure) Safari Drums (1953/71 m/Ford Beebe)
(11:30 AM) (documentary) Alaska Lifeboat (1956/21 m/Herbert Morgan)
(12:00 PM) (drama) The Prince and the Pauper (1937/118 m/William Keighley)
(2:15 PM) (crime) Key Largo (1948/100 m/John Huston)
(4:15 PM) (drama) The Defiant Ones (1958/96 m/Stanley Kramer)
(6:00 PM) (romance) The Thomas Crown Affair (1968/102 m/Norman Jewison)
(8:00 PM) (epic) Lawrence of Arabia (1962/227 m/David Lean)
Sunday, October 04, 2020
(12:00 AM) (crime) Where the Sidewalk Ends (1950/95 m/Otto Preminger)
(2:00 AM) (western) Across the Wide Missouri (1951/78 m/William Wellman)
(3:30 AM) (musical) On An Island With You (1948/108 m/Richard Thorpe)
(5:30 AM) (short) Inflation (1942/17 m/Cy Endfield)
(6:00 AM) (romance) The Last of Mrs. Cheyney (1937/98 m/Richard Boleslawski)
(7:45 AM) (romance) Humoresque (1946/124 m/Jean Negulesco)
(10:00 AM) (crime) Where the Sidewalk Ends (1950/95 m/Otto Preminger)
(12:00 PM) (comedy) Mr. Belvedere Goes to College (1949/83 m/Elliott Nugent)
(1:30 PM) (comedy) The Women (1939/133 m/George Cukor)
(4:00 PM) (musical) Bye Bye Birdie (1963/112 m/George Sidney)
(6:00 PM) (documentary) The Great Buster: A Celebration (2018/101 m/Peter Bogdanovich)
(8:00 PM) (silent) Sherlock Jr. (1924/46 m/Buster Keaton)
(9:00 PM) (silent) The General (1927/79 m/Buster Keaton)
(10:30 PM) (silent) Steamboat Bill Jr. (1928/71 m/Charles F. Reisner)
Monday, October 05, 2020
(12:00 AM) (silent) Seven Chances (1925/57 m/Buster Keaton)
(2:00 AM) (drama) Viridiana (1961/91 m/Luis Buñuel)
(3:45 AM) (drama) The Exterminating Angel (1962/92 m/Luis Buñuel)
(5:30 AM) (documentary) MGM Parade Show #5 (1955/26 m/?)
(6:00 AM) (musical) Roberta (1935/106 m/William A. Seiter)
(8:00 AM) (musical) Fashions of 1934 (1934/78 m/William Dieterle)
(9:30 AM) (drama) Stolen Holiday (1937/80 m/Michael Curtiz)
(11:00 AM) (comedy) Designing Woman (1957/118 m/Vincente Minnelli)
(1:00 PM) (comedy) Made in Paris (1966/103 m/Boris Sagal)
(2:45 PM) (romance) A Place for Lovers (1969/88 m/Vittorio De Sica)
(4:30 PM) (horror) Blood and Black Lace (1964/88 m/Mario Bava)
(6:00 PM) (suspense) Lured (1947/103 m/Douglas Sirk)
(8:00 PM) (crime) Cash on Demand (1961/80 min/Quentin Lawrence)
(9:30 PM) (romance) The End of the Affair (1955/106 m/Edward Dmytryk)
(11:30 PM) (crime) Time Without Pity (1957/85 m/Joseph Losey)
Tuesday, October 06, 2020
(1:15 AM) (adventure) John Paul Jones (1959/126 m/John Farrow)
(3:30 AM) (drama) Hamlet (1948/154 m/Laurence Olivier)
(6:15 AM) (comedy) A Chump at Oxford (1940/63 m/Alfred Goulding)
(7:30 AM) (drama) Vigil in the Night (1940/102 m/George Stevens)
(9:15 AM) (comedy) The Gay Bride (1934/80 m/Jack Conway)
(10:45 AM) (musical) Swing High, Swing Low (1937/83 m/Mitchell Leisen)
(12:15 PM) (comedy) Love Before Breakfast (1936/70 m/Walter Lang)
(1:30 PM) (comedy) Nothing Sacred (1937/74 m/William A. Wellman)
(3:00 PM) (comedy) Mr. and Mrs. Smith (1941/95 m/Alfred Hitchcock)
(4:45 PM) (comedy) To Be or Not to Be (1942/99 m/Ernst Lubitsch)
(6:30 PM) (documentary) The Golden Age of Comedy (1957/79 m/various)
(9:15 PM) (drama) The Ascent (1977/109 m/Larisa Sheptiko)
Wednesday, October 07, 2020
(12:30 AM) Meek's Cutoff (2010/104 m/Kelly Reichardt)
(2:30 AM) (short) Meshes of the Afternoon (1944/14 m/Maya Deren)
(4:30 AM) (comedy) Daisies (1966/76 m/Vera Chytilová
(6:00 AM) (premiere) Cameraperson (2016/102 m/Kirsten Johnson)
(9:15 AM) (drama) The Journey (1959/126 m/Anatole Litvak)
(11:30 AM) (drama) The Squall (1929/102 mAlexander Korda)
(1:30 PM) (short) Beautiful Budapest (1938/9 m/?)
(1:45 PM) (short) Rural Hungary (1939/9 m/James A. FitzPatrick)
(2:00 PM) (drama) Fight For Your Lady (1938/66 m/Ben Stoloff)
(3:15 PM) (drama) Storm at Daybreak (1933/79 m/Richard Boleslavsky)
(4:45 PM) (romance) The Shop Around the Corner (1940/99 m/Ernst Lubitsch)
(6:30 PM) (musical) One Heavenly Night (1930/80 m/Geo. Fitzmaurice)
(8:00 PM) (comedy) No Time For Sergeants (1958/119 m/Mervyn LeRoy)
(10:15 PM) (drama) A Face in the Crowd (1957/126 m/Elia Kazan)
Thursday, October 08, 2020
(12:30 AM) (western) Hearts of the West (1975/102 m/Howard Zieff)
(2:30 AM) (comedy) Onionhead (1958/110 m/Norman Taurog)
(4:30 AM) (comedy) Thunder Afloat (1939/95 m/George B. Seitz)
(6:15 AM) (crime) The Public Enemy (1931/84 m/William A. Wellman)
(8:15 AM) (romance) Red-Headed Woman (1932/79 m/Jack Conway)
(9:45 AM) (comedy) Dinner at Eight (1933/111 m/George Cukor)
(11:45 AM) (comedy) Saratoga (1937/92 m/Jack Conway)
(1:30 PM) (romance) Hold Your Man (1933/87 m/Sam Wood)
(3:15 PM) (romance) Red Dust (1932/83 m/Victor Fleming)
(4:45 PM) (comedy) Personal Property (1937/84 m/W. S. Van Dyke II)
(6:15 PM) (comedy) Bombshell (1933/96 m/Victor Fleming)
(8:00 PM) (comedy) The Front Page (1931/101 m/Lewis Milestone)
(10:00 PM) (suspense) Detour (1945/68 m/Edgar G. Ulmer)
(11:30 PM) (drama) The Man with the Golden Arm (1956/119m/Otto Preminger)
Friday, October 09, 2020
(1:45 AM) (romance) Love Affair (1939/88 m/Leo McCarey)
(3:30 AM) (crime) A Brighter Summer Day (1991/237 m/Edward Yang)
(7:00 AM) (short) Alice in Movieland (1940/22 m/Jean Negulesco)
(7:45 AM) (drama) Nora Prentiss (1947/111 m/Vincent Sherman)
(9:45 AM) (crime) Born to Kill (1947/92 m/Robert Wise)
(11:30 AM) (drama) Dark Passage (1947/106 m/Delmer Daves)
(1:30 PM) (suspense) Out of the Past (1947/97 m/Jacques Tourneur)
(3:15 PM) (crime) Race Street (1948/79 m/Edwin L. Marin)
(4:45 PM) (suspense) Impact (1949/111 m/Arthur Lubin)
(6:45 PM) (suspense) The Woman On Pier 13 (1950/73 m/Robert Stevenson)
(8:00 PM) (horror) The Ghoul (1933/81 m/T. Hayes Hunter)
(9:30 PM) (horror) The Black Sleep (1956/82 m/Reginald LeBorg)
(11:00 PM) (horror) Mark of the Vampire (1935/60 m/Tod Browning)
Saturday, October 10, 2020
(12:15 AM) (horror) Night of the Living Dead (1968/96 m/George A. Romero)
(2:00 AM) (adventure) White Lightning (1973/101 m/Joseph Sargent)
(3:45 AM) (drama) Gator (1976/116 m/Burt Reynolds)
(5:45 AM) (short) The Corvair in Action! (1960/6 m/?)
(6:00 AM) (musical) The Opposite Sex (1956/116 m/David Miller)
(8:00 AM) (premiere) MGM Cartoons: Red Hot Riding Hood (1943/7 m/Fred (Tex) Avery)
(8:09 AM) (short) Fortune Seekers (1956/8 m/Larry O'Reilly)
(8:18 AM) (documentary) Historic Maryland (1941/8 m/?)
(8:27 AM) (drama) Men of the North (1930/61 m/Hal Roach)
(9:30 AM) (premiere) THE WILD WEST DAYS: Brink of Doom (1937/?/?)
(10:00 AM) (premiere) POPEYE: Alona the Sarong Seas (1942/7 m/Dave Fleischer)
(10:08 AM) (premiere) The Golden Idol (1954/71 m/Ford Beebe)
(11:30 AM) (comedy) King Of The Islands (1935/17 m/Ralph Staub) .
(12:00 PM) (adventure) Tarzan The Ape Man (1932/100 m/W. S. Van Dyke II)
(2:00 PM) (musical) Lili (1953/81 m/Charles Walters)
(3:30 PM) (comedy) Casino Royale (1967/131 m/John Huston, et. al.)
(6:00 PM) (musical) Top Hat (1935/100 m/Mark Sandrich)
(8:00 PM) (adventure) Gunga Din (1939/117 m/George Stevens)
(10:15 PM) (adventure) The Three Musketeers (1948/126 m/George Sidney)
Sunday, October 11, 2020
(12:30 AM) (crime) The Racket (1951/89 m/John Cromwell)
(2:30 AM) (comedy) Bananas (1971/82 m/Woody Allen)
(4:00 AM) (comedy) Hannah and Her Sisters (1986/107 m/Woody Allen)
(6:00 AM) (comedy) A Midsummer Night's Dream (1935/143 m/Max Reinhardt)
(8:30 AM) (drama) Journey For Margaret (1942/81 m/Major W. S. Van Dyke II)
(10:00 AM) (crime) The Racket (1951/89 m/John Cromwell)
(12:00 PM) (drama) Sounder (1972/105 m/Martin Ritt)
(2:00 PM) (drama) The Secret Garden (1949/92 m/Fred M. Wilcox)
(3:45 PM) (drama) The Catered Affair (1956/94 m/Richard Brooks)
(5:30 PM) (musical) Flower Drum Song (1961/131 m/Henry Koster)
(8:00 PM) (comedy) The Front Page (1974/105 m/Billy Wilder)
(10:00 PM) (comedy) The Fortune Cookie (1966/126 m/Billy Wilder)
Monday, October 12, 2020
(12:15 AM) (comedy) Sidewalk Stories (1989/99 m/Charles Lane)
(2:15 AM) (comedy) The Firemen's Ball (1967/73 m/Milos Forman)
(3:45 AM) (premiere) All My Good Countrymen (1968/126 m/Vojtěch Jasný)
(6:00 AM) (horror) The Reptile (1966/90 m/John Gilling)
(7:45 AM) (horror) The Killer Shrews (1959/68 m/Ray Kellogg)
(9:00 AM) (horror) King Kong (1933/104 m/Merian C. Cooper)
(11:00 AM) (horror) The Beast From 20,000 Fathoms (1953/80 m/Eugene Lourié)
(12:30 PM) (horror) Gojira (1954/96 m/Ishiro Honda)
(2:00 PM) (horror) Creature from the Black Lagoon (1954/79 m/Jack Arnold)
(3:30 PM) (horror) Creature from the Haunted Sea (1961/59 m/Roger Corman)
(4:45 PM) (horror) The Green Slime (1969/90 m/Kinji Fukasaku)
(6:30 PM) (horror) Night of the Lepus (1972/88 m/William F. Claxton)
(8:00 PM) (adventure) Sword of Sherwood Forest (1960/80 m/Terence Fisher)
(11:00 PM) (horror) Daleks - Invasion Earth 2150 A.D. (1966/81 m/Gordon Flemyng)
Tuesday, October 13, 2020
(12:30 AM) (adventure) She (1965/106 m/Robert Day)
(2:30 AM) (crime) Violent Playground (1958/106 m/Basil Dearden)
(4:30 AM) (premiere) In Saigon: Some May Live (1967/89 m/Vernon Sewell)
(6:00 AM) (drama) Devotion (1931/81 m/Robert Milton)
(7:30 AM) (comedy) The Runaway Bus (1954/74 m/Val Guest)
(9:00 AM) (crime) The Solitaire Man (1933/67 m/Jack Conway)
(10:30 AM) (suspense) Blind Adventure (1933/63 m/Ernest B. Schoedsack)
(11:45 AM) (musical) Double Trouble (1967/92 m/Norman Taurog)
(1:30 PM) (romance) A Warm December (1972/101 m/Sidney Poitier)
(3:30 PM) (drama) The V.I.P.S (1963/119 m/Anthony Asquith)
(5:45 PM) (comedy) The Prince and the Showgirl (1957/117 m/Laurence Olivier)
Wednesday, October 14, 2020
(2:00 AM) (documentary) The House Is Black (1963/22 m/?)
(2:30 AM) (romance) First Love (1977/91 m/Joan Darling)
(4:15 AM) (drama) The Night Porter (1974/118 m/Liliana Cavani)
(6:30 AM) (drama) Le Bonheur (1965/80 m/Agnes Varda)
(10:15 AM) (silent) The Unholy Three (1925/86 m/Tod Browning)
(12:00 PM) (silent) The Unknown (1927/49 m/Tod Browning)
(1:00 PM) (silent) The Blackbird (1926/86 m/Tod Browning)
(2:30 PM) (horror) The Thirteenth Chair (1929/73 m/Tod Browning)
(4:00 PM) (horror) Freaks (1932/62 m/Tod Browning)
(5:15 PM) (horror) Mark of the Vampire (1935/60 m/Tod Browning)
(6:30 PM) (horror) The Devil-Doll (1936/78 m/Tod Browning)
(8:00 PM) (drama) Abe Lincoln in Illinois (1940/110 m/John Cromwell)
(10:00 PM) (drama) Sunrise at Campobello (1960/144 m/Vincent J. Donehue)
Thursday, October 15, 2020
(12:45 AM) (drama) Wilson (1944/154 m/Henry King)
(3:30 AM) (war) PT 109 (1963/140 m/Leslie H. Martinson) .
(6:00 AM) (comedy) Three Men on a Horse (1936/86 m/Mervyn LeRoy)
(7:30 AM) (crime) Unholy Partners (1941/94 m/Mervyn LeRoy)
(9:15 AM) (musical) Sweet Adeline (1935/88 m/Mervyn Le Roy)
(11:00 AM) (comedy) Happiness Ahead (1934/86 m/Mervyn Le Roy)
(12:30 PM) (drama) Big City Blues (1932/63 m/Mervyn LeRoy)
(1:45 PM) (suspense) The Bad Seed (1956/129 m/Mervyn LeRoy)
(4:00 PM) (drama) They Won't Forget (1937/95 m/Mervyn LeRoy)
(5:45 PM) (romance) Random Harvest (1942/126 m/Mervyn LeRoy)
(8:00 PM) (war) Tunes of Glory (1960/107 m/Ronald Neame)
(10:00 PM) (war) The Life and Death of Colonel Blimp (1943/164 m/Michael Powell)
Friday, October 16, 2020
(1:00 AM) (war) The Seventh Cross (1944/112 m/Fred Zinnemann)
(3:00 AM) (drama) The Diary of Anne Frank (1959/180 m/George Stevens)
(6:15 AM) (documentary) Trances (1981/89 m/Ahmed El Maanouni)
(8:00 AM) (comedy) Little Shop of Horrors (1960/72 m/Roger Corman)
(9:15 AM) (horror) Village of the Damned (1960/77 m/Wolf Rilla)
(10:45 AM) (horror) The Brain That Wouldn't Die (1962/82 m/Joseph Green)
(12:15 PM) (horror) Carnival of Souls (1962/78 m/Herk Harvey)
(1:45 PM) (horror) Dementia 13 (1963/75 m/Francis Ford Coppola)
(3:15 PM) (horror) The Raven (1963/86 m/Roger Corman)
(4:45 PM) (horror) Spider Baby (1964/84 m/Jack Hill)
(6:15 PM) (horror) The Nanny (1965/93 m/Seth Holt)
(8:00 PM) (horror) Dead of Night (1945/103 m/Alberto Cavalcanti, Basil Dearden, Robert Hamer, Charles Crichton)
(10:00 PM) (horror) Twice-Told Tales (1963/120 m/Sidney Salkow)
Saturday, October 17, 2020
(12:15 AM) (horror) Black Sabbath (1963/96 m/Mario Bava)
(2:00 AM) (premiere) Enter the Ninja (1981/99 m/Menahem Golan)
(3:45 AM) (premiere) Revenge of the Ninja (1983/?/Sam Firstenberg)
(5:30 AM) (short) Shake Hands With Danger (1970/23 m/?)
(6:00 AM) (war) The Password Is Courage (1962/115 m/Andrew L. Stone)
(8:00 AM) MGM CARTOONS: Sheep Wrecked (1958/6 m/Michael Lah)
(8:08 AM) (documentary) Cave Explorers (1957/8 m/Heinz Scheiderbauer)
(8:17 AM) (short) The Capital City Washington, D.C. (1940/9 m/?)
(8:27 AM) (drama) She Loved A Fireman (1937/58 m/John Farrow)
(9:30 AM) (premiere) The WILD WEST DAYS: Indians Are Coming (1937/?/?)
(10:00 AM) (premiere) POPEYE: A Hull of a Mess (1942/6 m/Dave Fleischer)
(10:08 AM) (adventure) Lord of the Jungle (1955/69 m/Ford Beebe)
(11:30 AM) (short) Kissing Time (1933/22 m/Roy Mack)
(12:00 PM) (western) Angel And The Badman (1947/100 m/James Edward Grant)
(1:45 PM) (adventure) Captain Horatio Hornblower (1951/117 m/Raoul Walsh)
(4:00 PM) (comedy) Support Your Local Sheriff! (1969/93 m/Burt Kennedy)
(5:45 PM) (horror) Rollerball (1975/125 m/Norman Jewison)
(8:00 PM) (musical) Singin' in the Rain (1952/103 m/Gene Kelly)
(10:00 PM) (musical) Summer Stock (1950/109 m/Charles Walters)
Sunday, October 18, 2020
(12:00 AM) (crime) Destination Murder (1950/73 m/Edward L. Cahn)
(1:45 AM) (comedy) The Fearless Vampire Killers or Pardon Me, But Your Teeth Are in My Neck (1966/107 m/Roman Polanski)
(3:45 AM) (horror) House of Dark Shadows (1970/97 m/Dan Curtis)
(5:30 AM) (short) Return to Glennascaul (1953/24 m/Hilton Edwards)
(6:00 AM) (drama) The Life of Emile Zola (1937/116 m/William Dieterle)
(8:15 AM) (comedy) His Girl Friday (1940/92 m/Howard Hawks)
(10:00 AM) (crime) Destination Murder (1950/73 m/Edward L. Cahn)
(11:45 AM) (epic) The Good Earth (1937/138 m/Sidney Franklin)
(2:15 PM) (drama) Written on the Wind (1957/99 m/Douglas Sirk)
(4:00 PM) (romance) Dear Heart (1964/114 m/Delbert Mann)
(6:00 PM) (comedy) Peggy Sue Got Married (1986/105 m/Francis Ford Coppola)
(10:00 PM) (comedy) Losing Ground (1982/86 m/Kathleen Collins)
Monday, October 19, 2020
(12:00 AM) (silent) Exit Smiling (1926/77 m/Sam Taylor)
(2:00 AM) (premiere) I Am Waiting (1957/91 m/Koreyoshi Kurahara)
(3:45 AM) (premiere) A Colt Is My Passport (1967/84 m/Takashi Nomura) .
(5:30 AM) (documentary) MGM Parade Show #5 (1955/26 m/?)
(6:00 AM) (comedy) I Married a Witch (1942/77 m/René Clair)
(7:30 AM) (comedy) Mr. and Mrs. Smith (1941/95 m/Alfred Hitchcock)
(9:15 AM) (crime) Touch of Evil (1958/111 m/Orson Welles)
(11:30 AM) (adventure) Mogambo (1953/116 m/John Ford)
(1:45 PM) (suspense) North by Northwest (1959/136 m/Alfred Hitchcock)
(4:15 PM) (drama) In A Lonely Place (1950/93 m/Nicholas Ray)
(6:00 PM) (war) Any Number Can Play (1949/103 m/Mervyn LeRoy)
(8:00 PM) (suspense) The Hound of the Baskervilles (1959/87 m/Terence Fisher)
(9:30 PM) (horror) Horror of Dracula (1958/81 m/Terence Fisher)
(11:15 PM) (horror) The Mummy (1959/88 m/Terence Fisher)
(1:00 AM) (horror) The Curse of Frankenstein (1957/83 min/Terence Fisher)
(2:45 AM) (horror) Frankenstein Created Woman (1967/92 min/Terence Fisher)
(4:30 AM) (horror) Frankenstein Must Be Destroyed! (1970/101 m/Terence Fisher)
Tuesday, October 20, 2020
(6:15 AM) (comedy) Front Page Woman (1935/82 m/Michael Curtiz)
(7:45 AM) (romance) Wife Vs. Secretary (1936/88 m/Clarence Brown)
(9:30 AM) (suspense) Mr. And Mrs. North (1941/67 m/Robert B. Sinclair)
(10:45 AM) (comedy) Theodora Goes Wild (1936/94 m/Richard Boleslawski)
(12:30 PM) (comedy) Breakfast for Two (1937/68 m/Alfred Santell)
(1:45 PM) (comedy) Four's A Crowd (1938/92 m/Michael Curtiz)
(3:30 PM) (comedy) It's A Wonderful World (1939/86 m/W. S. Van Dyke II)
(5:00 PM) (comedy) Fools For Scandal (1938/80 m/Mervyn Le Roy)
(6:30 PM) (romance) Love on the Run (1936/80 m/W. S. Van Dyke)
(8:00 PM) (premiere) Women Make Film: A New Road Movie Through Cinema #8 (2018/?/Mark Cousins)
(9:15 PM) TBA
(10:45 PM) (documentary)) Women Make Film: A New Road Movie Through Cinema #8 (2018/?/Mark Cousins)
__
Wednesday, October 21, 2020
(2:00 AM) (premiere) The Third Miracle (1999/119 m/Agnieszka Holland)
(7:45 AM) (short) The Birth, the Life and the Death of Christ (1906/34 m/Alice Guy-Blache)
(8:30 AM) (documentary) Araya (1959/83 m/Margot Benacerraf)
(10:00 AM) (drama) Children of a Lesser God (1986/119 m/Randa Haines)
(12:15 PM) (drama) Young Dr. Kildare (1938/82 m/Harold S. Bucquet)
(1:45 PM) (drama) Calling Dr. Kildare (1939/86 m/Harold S. Bucquet)
(3:30 PM) (drama) The Secret of Dr. Kildare (1939/84 m/Harold S. Bucquet)
(5:00 PM) (drama) Dr. Kildare Goes Home (1940/79 m/Harold S. Bucquet)
(6:30 PM) (drama) Dr. Kildare's Crisis (1940/75 m/Harold S. Bucquet)
(8:00 PM) (comedy) Hard To Handle (1933/78 m/Mervyn LeRoy)
(9:30 PM) (crime) The Beast Of The City (1932/86 m/Charles Brabin)
(11:15 PM) (drama) One Way Passage (1942/67 m/Tay Garnett)
Thursday, October 22, 2020
(12:45 AM) (crime) They Live By Night (1948/95 m/Nicholas Ray)
(2:30 AM) (adventure) The Prisoner of Zenda (1952/100 m/Richard Thorpe)
(4:15 AM) (adventure) Green Fire (1955/100 m/Andrew Marton)
(6:00 AM) (adventure) Three Faces East (1930/71 m/Roy Del Ruth)
(7:30 AM) (drama) Born to Love (1932/81 m/Paul L. Stein)
(9:00 AM) (drama) The Common Law (1932/74 m/Paul L. Stein)
(10:30 AM) (drama) Rockabye (1932/68 m/George Cukor)
(11:45 AM) (drama) Bed of Roses (1933/ 67 /Gregory LaCava)
(1:00 PM) (drama) Our Betters (1933/83 m/George Cukor)
(2:30 PM) (comedy) Topper (1937/97 m/Norman Z. McLeod)
(4:15 PM) (comedy) Topper Takes a Trip (1939/80 m/Norman Z. McLeod)
(5:45 PM) (comedy) Merrily We Live (1938/95 m/Norman Z. McLeod)
(7:30 PM) (documentary) MGM Parade Show #5 (1955/26 m/?)
(8:00 PM) (crime) The Killers (1964/93 m/Donald Siegel)
(9:45 PM) (drama) The Breaking Point (1950/97 m/Michael Curtiz)
(11:30 PM) (horror) The Mystery Of The Wax Museum (1933/77 m/Michael Curtiz)
Friday, October 23, 2020
(1:00 AM) (horror) Night of the Living Dead (1968/96 m/George A. Romero)
(3:00 AM) (premiere) A River Called Titas (1973/158 m/Ritwik Ghatak)
(6:00 AM) (drama) Inside Straight (1951/87 m/Gerald Mayer)
(7:30 AM) (crime) Absolute Quiet (1936/70 m/George B. Seitz)
(8:45 AM) (drama) Chain Lightning (1950/95 m/Stuart Heisler)
(10:30 AM) (adventure) Tycoon (1947/129 m/Richard Wallace)
(12:45 PM) (drama) No Marriage Ties (1933/72 m/J. Walter Ruben)
(2:00 PM) (drama) Death of a Scoundrel (1956/120 m/Charles Martin)
(4:15 PM) (crime) Assignment To Kill (1968/99 m/Sheldon Reynolds)
(6:00 PM) (suspense) The Drowning Pool (1975/108 m/Stuart Rosenberg)
(8:00 PM) (horror) Pit and the Pendulum (1961/80 m/Roger Corman)
(9:45 PM) (horror) Spirits of the Dead (1968/121 m/Federico Fellini, Louis Malle, Roger Vadim)
Saturday, October 24, 2020
(12:00 AM) (horror) Murders In The Rue Morgue (1971/98 m/Gordon Hessler)
(2:00 AM) (premiere) Ninja III: The Domination (1984/95 m/Sam Firstenberg)
(3:45 AM) (drama) Heavenly Bodies (1985/89 m/Lawrence Dane)
(5:30 AM) (short) Keep Off The Grass (1969/21 m/?)
(6:00 AM) (comedy) Please Don't Eat the Daisies (1960/111 m/Charles Walters)
(8:00 AM) (premiere) MGM CARTOONS: One Cab's Family (1938/8 m/Fred (Tex) Avery)
(8:09 AM) (documentary) Black Cats and Broomsticks (1955/8 m/Larry O'Reilly)
(8:18 AM) (short) Wandering Here and There (1944/9 m/James A. FitzPatrick)
(8:28 AM) (romance) King Of The Lumberjacks (1940/59 m/William Clemens)
(9:30 AM) (premiere) THE WILD WEST DAYS: Leap For Life (1937/?/?)
(10:00 AM) (premiere) POPEYE: Cartoons Ain’t Human (1943/7 m/Dave Fleischer)
(10:09 AM) (adventure) Tarzan And The Amazons (1945/76 m/Kurt Neumann)
(11:30 AM) (short) The Flame Song (1934/22 m/Joseph Henabery)
(12:00 PM) (suspense) Harper (1966/121 m/Jack Smight)
(2:15 PM) (horror) Brainstorm (1983/106 m/Douglas Trumbull)
(4:15 PM) (war) Men Of The Fighting Lady (1954/80 m/Andrew Marton)
(5:45 PM) (drama) Citizen Kane (1941/119 m/Orson Welles)
(8:00 PM) (drama) Ace in the Hole (1951/111m/Billy Wilder)
(10:15 PM) (premiere) Flesh and Fury (1952/83 m/Joseph Pevney)
Sunday, October 25, 2020
(12:00 AM) (adventure) Macao (1952/81 m/Josef von Sternberg)
(1:45 AM) (horror) The Werewolf (1956/80 m/Fred F. Sears)
(3:15 AM) (premiere) The Howling (1981/91 m/Joe Dante)
(5:00 AM) (horror) The Mummy (1932/73 m/Karl Freund)
(6:15 AM) (suspense) Murder on the Blackboard (1934/72 m/George Archainbaud)
(7:30 AM) (romance) All This, and Heaven Too (1940/143 m/Anatole Litvak)
(10:00 AM) (adventure) Macao (1952/81 m/Josef von Sternberg)
(12:00 PM) (romance) The White Cliffs Of Dover (1944/126 m/Clarence Brown)
(2:15 PM) (epic) Around the World in 80 Days (1956/182 m/Michael Anderson)
(5:30 PM) (horror) What Ever Happened to Baby Jane? (1962/134 m/Robert Aldrich)
(8:00 PM) (western) 3:10 to Yuma (1957/92 m/Delmer Daves)
(10:00 PM) (western) Gunman's Walk (1958/95 m/Phil Karlson)
Monday, October 26, 2020
(12:00 AM) (silent) Haxan: Witchcraft Through the Ages (1922/107 m/Benjamin Christensen)
(2:00 AM) (suspense) Diabolique (1955/117 m/Henri-Georges Clouzot)
(4:15 AM) (horror) Eyes Without a Face (1959/90 m/Georges Franju)
(6:00 AM) (suspense) The Beast with Five Fingers (1946/88 m/Robert Florey)
(7:45 AM) (adventure) Mara Maru (1952/98 m/Gordon Douglas)
(9:30 AM) (drama) They Won't Believe Me (1947/80 m/Irving Pichel)
(11:15 AM) (suspense) Where Danger Lives (1950/80 m/John Farrow)
(1:00 PM) (suspense) Fingers at the Window (1942/81 m/Charles Lederer)
(2:30 PM) (suspense) Footsteps in the Dark (1941/96 m/Lloyd Bacon)
(4:15 PM) (suspense) Kill or Cure (1962/88 m/George Pollock)
(6:00 PM) (comedy) The Gazebo (1960/102m/George Marshall)
(8:00 PM) (horror) Nothing But the Night (1972/91 m/Peter Sasdy)
(9:45 PM) (horror) Madhouse (1974/91 m/James Clark)
(11:30 PM) (horror) From Beyond the Grave (1973/98 m/Kevin Connor)
Tuesday, October 27, 2020
(1:30 AM) (horror) Scream and Scream Again (1970/95 m/Gordon Hessler)
(3:15 AM) (premiere) The Satanic Rites of Dracula (1973/88 m/Alan Gibson)
(4:45 AM) (horror) Dracula A.D. 1972 (1972/96 m/Alan Gibson)
(6:30 AM) (western) Somewhere In Sonora (1933/58 m/Mack V. Wright)
(7:45 AM) (western) Along the Rio Grande (1941/64 m/Edward Killy)
(9:00 AM) (western) Valley of the Sun (1942/78 m/George Marshall)
(10:30 AM) (western) Sagebrush Trail (1933/53 m/Armand Schaefer)
(11:30 AM) (western) Devil's Canyon (1953/92 m/Alfred Werker)
(1:15 PM) (western) The Hired Gun (1957/64 m/Ray Nazarro)
(2:30 PM) (premiere) Black Patch (1957/82 m/Allen H. Miner)
(4:00 PM) (western) Virginia City (1940/121 m/Michael Curtiz)
(6:15 PM) (western) Escape From Fort Bravo (1953/98 m/John Sturges)
Wednesday, October 28, 2020
(12:15 AM) (comedy) Girlfriends (1978/88 m/Claudia Weill)
(2:00 AM) (drama) The Connection (1962/103 m/Shirley Clarke)
(4:00 AM) (comedy) Lost In Yonkers (1993/114 m/Martha Coolidge)
(10:00 AM) (drama) Winter Meeting (1948/104 m/Bretaigne Windust)
(12:00 PM) (romance) I Know Where I'm Going (1945/92 m/Michael Powell)
(1:45 PM) (romance) The Enchanted Cottage (1945/92 m/John Cromwell)
(3:30 PM) (romance) Random Harvest (1942/126 m/Mervyn LeRoy)
(6:00 PM) (romance) Desire Me (1947/91 m/George Cukor)
(8:00 PM) (drama) The Best Man (1964/102 m/Franklin J. Schaffner)
(10:00 PM) (drama) State of the Union (1948/123 m/Frank Capra)
Thursday, October 29, 2020
(12:15 AM) (comedy) The Great McGinty (1940/82 m/Preston Sturges)
(2:00 AM) (drama) The Candidate (1972/110 m/Michael Ritchie)
(4:00 AM) (drama) All the King's Men (1949/110 m/Robert Rossen)
(6:00 AM) (western) Haunted Gold (1932/58 m/Mack V. Wright)
(7:00 AM) (horror) The Devil-Doll (1936/78 m/Tod Browning)
(8:30 AM) (suspense) Before Dawn (1933/61 m/Irving Pichel)
(9:45 AM) (comedy) Man Alive (1946/70 m/Ray Enright)
(11:00 AM) (horror) Tormented (1960/75 m/Bert I. Gordon)
(12:30 PM) (adventure) Angel on My Shoulder (1946/101 m/Archie Mayo)
(2:15 PM) (horror) Night Of Dark Shadows (1971/94 m/Dan Curtis)
(4:00 PM) (horror) Indestructible Man (1956/71 m/Jack Pollexfen)
(5:15 PM) (horror) From Hell It Came (1957/71 m/Johnny Greenwald)
(6:30 PM) (horror) Death Curse of Tartu (1966/88 m/William Grefé)
(8:00 PM) (western) Winchester '73 (1950/92 m/Anthony Mann)
(10:00 PM) (western) She Wore a Yellow Ribbon (1949/104 m/John Ford)
Friday, October 30, 2020
(12:00 AM) (documentary) Primary (1960/53 m/Robert Drew)
(1:15 AM) (documentary) Crisis (1963/53 m/Robert Drew)
(2:15 AM) (premiere) Dos Monjes (1934//Juan Bustillo Oro)
(4:00 AM) (drama) Of Mice and Men (1939/107m/Lewis Milestone)
(6:00 AM) (documentary) MGM Parade Show #5 (1955/26 m/?)
(6:30 AM) (horror) Doctor X (1932/76 m/Michael Curtiz)
(8:00 AM) (horror) The Mask Of Fu Manchu (1932/68 m/Charles Brabin)
(9:30 AM) (horror) The Most Dangerous Game (1932/63 m/Ernest B. Schoedsack)
(10:45 AM) (horror) Island of Lost Souls (1932/70 m/Erle C. Kenton)
(12:00 PM) (horror) White Zombie (1932/67 m/Victor Halperin)
(1:30 PM) (horror) The Vampire Bat (1933/63 m/Frank Strayer)
(2:45 PM) (horror) The Mystery Of The Wax Museum (1933/77 m/Michael Curtiz)
(4:15 PM) (horror) Mad Love (1935/68 m/Karl Freund)
(5:30 PM) (horror) The Walking Dead (1936/65 m/Michael Curtiz)
(6:45 PM) (horror) The Return of Doctor X (1939/62 m/Vincent Sherman)
(8:00 PM) (horror) Burn, Witch, Burn! (1962/89 m/Sidney Hayers)
(9:45 PM) (horror) The Four Skulls of Jonathan Drake (1959/70 m/Edward L. Cahn)
(11:00 PM) (horror) The Devil's Bride (1968/96 m/Terence Fisher)
Saturday, October 31, 2020
(12:45 AM) (horror) The Conqueror Worm (1968/87 m/Michael Reeves)
(5:15 AM) (short) The Distant Drummer: Flowers of Darkness (1972/22 m/William Templeton)
(5:15 AM) (short) Movie Trailer (1950/16 m/?)
(6:00 AM) (horror) Freaks (1932/62 m/Tod Browning)
(7:15 AM) (horror) Dr. Jekyll and Mr. Hyde (1932/96 m/Rouben Mamoulian)
(9:00 AM) (horror) House of Wax (1953/88 m/Andre deToth)
(10:45 AM) (horror) Children of the Damned (1964/90 m/Anton M. Leader)
(12:30 PM) (suspense) The Bad Seed (1956/129 m/Mervyn LeRoy)
(2:45 PM) (drama) The Picture of Dorian Gray (1945/110 m/Albert Lewin)
(4:45 PM) (horror) The Wolf Man (1941/70 m/George Waggner)
(6:00 PM) (horror) The Haunting (1963/112 m/Robert Wise)
(8:00 PM) (comedy) Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964/95 m/Stanley Kubrick) .
(10:00 PM) (horror) Them! (1954/92 m/Gordon Douglas)
(12:00 AM) (horror) The Seventh Victim (1943/71 m/Mark Robson)
(1:30 AM) (horror) I Walked With A Zombie (1943/69 m/Jacques Tourneur)
(3:00 AM) (horror) The Body Snatcher (1945/78 m/Robert Wise)
(4:30 AM) (suspense) The Leopard Man (1943/66 m/Jacques Tourneur)
submitted by tombstoneshadows28 to horror [link] [comments]


2020.08.25 05:36 khebhin Are there any hippie related tv shows? The closest I've found is That 70's Show with Hyde and Leo.

submitted by khebhin to ActualHippies [link] [comments]


2020.08.23 00:51 NamNguyen56 I DON'T LIKE BIDEN (A Handbook for All American Citizens!) I DON'T LIKE BIDEN (A Handbook for All American Citizens!)

I DON'T LIKE BIDEN (A Handbook for All American Citizens!) I DON'T LIKE BIDEN (A Handbook for All American Citizens!)

![img](iyovvyk4vmi51 " I DON'T LIKE BIDEN (A Handbook for All American Citizens!) .📷📷 In the end, former PTT Joe Biden was victorious. The Democrats have officially appointed Biden to represent the campaign against President Trump. Of course, in four decades as a senator and eight years as a vice president, Biden was involved in countless political decisions, big and small, how much success is unknown, but failure or error is infinite. That's why I do NOT like Biden. America cannot be quite good with a president like old Biden, all his life doing wrong, wrong. Biden's deluded mistakes, writing three dictionaries are still not over. Stories related to Vietnam have been discussed many times already. Some of Biden's great tools still tried to twist the ribs of his spine to find a way to justify him not against the Vietnamese refugees, but it seemed that he had not convinced many people. In short: ➥ During the Vietnam War, during the three years as a senator before the VC took the South, old Biden always voted ANTI-all economic and military aid to the RVN, not skipping a single vote to prevent TT Nixon helped the RVN in any way. For the refugees, Mr. Biden has never voted to accept any one cent of the budget to aid the refugees, twice voted against the relief / reception of refugees (April 18, 1975 - May 23, 1975), once without voting for the aid budget (5/6/75), just once signed an innocuous resolution welcoming refugees who have entered the US, are in Guam and Wake (May 8, 1975). That one time was held by Biden's supporters as evidence (only) of Biden supporting refugees. (first) ➥ In addition to that innocuous vote, this man challenges anyone who finds ONE concrete evidence that Biden has supported the RVN and supported Vietnamese refugees throughout his political life. (please do not be confused with later voting in favor of VC). Her attitude and point of view towards China are so much to say that it will probably be the subject of another article. Only Biden has confirmed that \"TC is not a competitor to America (no competitor) but a good friend (good friend) of America\". (2) Because of the limited framework, this article will also be skipped, not to mention the thousands of jokes, wrong words, jokes, stammering. President Trump's Campaign Committee is composing a 'collection' of Biden's most famous gossip, which is welcome by readers, does not laugh and does not eat money. If the ability to make jokes is a necessary ability to be the president, Biden is obvious ... wa-li-fai than 'Hoai Ninh' far (because Hoai Ninh knows his fate does not dare to race with Biden. of the DC party to run for US president). Here, we are only discussing the wrong political decisions or his hat-changing tricks. Is there any wrong place in this article? I would like to ask readers to frankly point out each other, no need to jostle each other. * ⭕️ SUBSIDIES The To Sang group recently released a statement in support of Biden, which read “We need a President from the Democratic Party to maintain good Social Security policies such as Welfare, Food Stamps. v ... v, to help old Vietnamese refugees like us \". Elderly refugees need benefits, not wrong. But supporting Biden is… wrong. Biden for more than 40 years, has always called for cutting benefits, especially SSA old money, including Medicare and Medicaid. In 1995, TNS Biden declared \"When I called for freezing government spending, I wanted to include social security money, ... Medicaid, Medicare, veteran benefits\" (original: \"When I argued that we should freeze federal spending, I meant Social Security as well. I meant Medicare and Medicaid. I meant veterans' benefits ”). (3) ⭕️ TAXES Mr. Biden in a live televised talk at the Poor People's Forum recently solemnly promised to immediately revoke President Trump's tax reduction law. Here are the concrete consequences: ➥ Some of the low-income middle-class populations exempt under Trump's law will have to pay taxes again. ➥ All middle-class people and people with higher incomes will get tax increases again. ➥ All large and small businesses get profit tax increases; ➥ Many large corporations will close their stores again, move overseas to evade taxes; ➥ Unemployment rate will escalate again; ➥ The economy will slow down; ➥ The stock market will slide and pension and old money funds will be lost. (4) [Please review lesson 1: DTC's Tax Reduction Law, December 2017 to see how additional taxes will be paid] (5) ⭕️ VISION A few refugee parrots chew on our side's slogan “Discrimination is one the bad, never good! ”. Biden was very majestic and said President Trump was the most discriminatory president in American history. If Mr. Biden is elected president, he will take this title of discrimination out of the hands of President Trump immediately. Below is the stigma achievement of Biden. In 1974, the new congressman Biden collaborated with TNS Robert Byrd of Virginia [TNS Byrd was one of the great leaders of the DC party in the 1960s and 70s, later discovered to be a secret member of the Ku Klux Klan. , a discriminatory white group specializing in killing blacks], openly opposes the 'busing' policy that requires elementary and secondary school students to go to school on the Golden State bus. This was the federal government's policy to end black and white discrimination in schools at that time, which was strongly opposed by the white people. (6) Recently, during the first TV debate among the DC candidates, TNS Kamala Harris attacked Biden brutally about Biden's white anti-busing stigma, darkening him. apologetic face to face. In 2006, Biden complained, \"You can't go into a 7-11 (Seven Eleven) store to buy anything if you don't speak English with an Indian accent\". One accused statement reflects the stigmatization of Indian descent by the fact that a large number of owners of Seven-Eleven stores in Delaware state are of Indian descent. (7) Surely now that the Indian people are too strong in the US, so find a way to atone, invite the Indian-born Mrs. Harris to join the partnership? In 2007, Biden, when he first heard that Obama was running for president in 2007, said \"Obama is the first African-American presidential candidate, it is also bright and clean, ...\". (8) Imagine Trump saying this! Old Biden patted her chest in the 1960s (when Biden was about 25 years old) once took to the streets to protest with the black people fighting for civil rights with the pastor Martin Luther King. Biden has never been in the streets like that because of the TTDC. 100% lie! (9) Then recently, it emerged that the old man said that the Negro people did not vote for him ... \"you ain't black\"! Quickly helped by TTDC to store it in the closet, not repeat again. Imagine President Trump telling a white man not to vote for him \"you ain't white\"! (ten) Recently, when asked by a black journalist if he had tested the 'cognitive test' to see if his mind was still sane - like President Trump did - Biden said, \"Oh, why should I do that? ? So before interviewing me, did you go to test for drugs in your body? Are you an addict? ”. (11) This sentence is of heavy stigma because everyone knows that many black people are addicted to drugs. ⭕️ CORONA TRANSLATION OFFICE Mr. Biden was against President Trump's measures from the very beginning. Please reiterate some background facts: ➥ January 6, 2020: President Trump told the CDC to warn Americans not to travel to China because of the epidemic there. January 17, 2020: President Trump ordered a strict examination of the health of all people from China through 3 major US airports (then 2 more airports). January 18, 2020: DTCTC announced a new epidemic that has just begun in China and warned Vietnamese people about Vietnam to celebrate Tet. [ https://diendantraichieu.blogspot.com/p/tin-tuc-a.html] ➥ January 21, 2020: a Chinese-American infected first after returning from Wuhan to the US. Both the Senate are fighting about the harassment of President Trump, news about viruses that have not been published, have not been published, nor are anyone reading. January 27, 2020 (3 weeks after President Trump warned Americans not to travel to China, and a dozen days after the VCP warned the Vietnamese!): Mr. Biden praised China for being very innocent and honestly announce the restrained news being translated to the whole world, and affirm that there is no reason not to travel to TC. January 31, 2020: President Trump gives a ban on Chinese tourists from entering the US; for those who have a good reason to enter the United States, or for Chinese-Americans who return to China for Tet and need to return home to America, he makes them subject to a 14-day ban on the palace after entering the US. That same day, he ordered the Department of Health to issue a state of urgency and set up a special committee to deal with the epidemic. That same day, Biden, in a speech given in Iowa, immediately attacked President Trump for his hysterical xenophobia and fearmongering. (12) To be clear, 10 days after the first infected person in the United States and one month before the first American death, President Trump has taken the decision to prevent the Chinese people from entering the US, as a concrete measure to block translation, while old Biden has not seen anything, still worried about praising China. Dr. Fauci, the protagonist responsible for dealing with the epidemic, claims President Trump's early measures have saved hundreds of thousands of American lives. That is, if Biden was the president then the decision to stop would not be issued, the number of people died now was hundreds of thousands higher. This is we have not discussed the story of old Biden lying when accusing President Trump of cutting the CDC budget and the USAID agency, is a local matter. ⭕️ ANTI-POPULATION During the eight years as deputy apostle, Biden thoroughly supported President Obama's immigration deportation policy, showing off his achievements that Obama expelled the most illegal immigrants of all modern American presidents. Now the wind changes, the DC party denounces President Trump's immigrant deportation policy as discrimination, Biden no longer dares to show off his expulsion championship record. The Mexican-born journalist Jorge Ramos asked if Biden had regretted helping President Obama to expel millions of immigrants, he replied very wisely, “Yes, at that time many migrants were deported, but I was just a deputy President \"(verbatim\" I was just a vice president \"). An excuse clearly stated the status of selling the inferior crime of old Biden. Old Biden in recent debates, has once again performed his 'forgetful' talent. When talking about immigration, he aggressively condemned President Trump and asserted that \"we [the Obama / Biden administration] do not lock children in iron cots, we do not segregate families, ...\". Sorry, baby cot was not invented by President Trump, President Clinton or President Bush, but by President Obama, confirmed by a series of images of children in iron cribs at that time. The press has already been published. (13) Also apologize to Mr. Biden, that the family isolation law was not invented by President Trump, but the agreement between Clinton's Attorney General Janet Reno with the court in a 1997 immigration lawsuit, applied. from that time to Bush, then through Obama, to Trump. (14) ⭕️ CUTTING THE POLICE BUDGET In the current riot against the police, the rebels demanded cut off the police budget. Old Biden initially looked down on this gang, speaking he did not accept because the role of the police is still very important. Strongly criticized by the rebels - including the black population and young white radicals whom she desperately needed votes, she changed clothes, called for a part of the police budget to be transferred to communal programs Association and health care help people of color. Shortly thereafter, the National Police Association (with more than 1,000 police organizations across the federation) criticized Biden and supported President Trump, he again decided to withdraw, stating that he did not intend to cut the scene budget. close, just want to transfer money -redirect funds- only. How to transfer money to another target without cutting anything? (15) ⭕️ SUPPORTING FRANCE Old Biden was caught up in the so-called Hyde Amendment - Hyde Amendment, which was approved 40 years ago. This is an amendment whereby the federal State will not pay abortions for women who are receiving Medicaid health insurance for low-income people, called MediCal in California. Old Biden previously supported this amendment, now, obviously very serious crime in the radical DC party. Old Biden struggling not to know how to handle, finally spoke up, now he is against the Amendment Hyde and confessed that he was a big mistake. (16) ⭕️ COMPETITION FOR Gay During nearly 40 years in the Senate, Biden was anti-gay marriage, always upholding family values, defined as a combination of two people of the opposite sex. In 2012, before the height of the struggle of the gay people, Biden changed clothes, loudly supporting the homosexual people and gay marriage. Then blatantly declared \"my whole life, I have fought for homosexual people\". (17) Here, please open brackets to talk about the story, clearly showing the status of old Biden: In 2012, President Obama was re-elected, severely threatened by Governor Romney, the rate of support on both sides was close. President Obama changed his strategy, wanted to attract gay groups, met the advisory board, made a strategy to support same-sex marriage that he and Biden were both against, to get votes from this group. According to the plan, a week later, he will hold a press conference to announce the new policy. Biden old tricks, the day after the press conference announced he supported gay marriage. People who rub the mahjong call this a story of 'spreading your upper hand'. President Obama was angry, called Biden to adjust for a match, chased Mr. Biden, changed other deputy candidates, then Biden apologized to President Obama. (18) SEX OF SEX The latest story, heavenly but was quickly buried under 10 yards by our side: sexually harassing Ms. Reade, her former assistant. (19) The brutal thing is that while the TTDC and especially the anti-Trump madmen all day long talking about Trump immoral, flattering about 'catching butterflies', Biden is accused of being true. not just impulsive. American politics today are partisan far beyond all rational possibilities. Sen. Kamala Harris, who fiercely beat Judge Kavanaugh outright about his alleged sexual harassment, after Biden was accused of harassment, stated \"I believe you have accused Mr. Biden.\" . However, when Biden invited him to join the partnership, Mrs. Harris was as fresh as a flower and immediately accepted. Another anonymous woman was more frank, almost \"Mr. Biden raped my daughter, I still vote for him\". That's new! What do the refugees have more morality than the sage think? But the champion must be journalist Katha Pollitt wrote in The Nation newspaper: \"Even if Biden boiled and eats a baby, I still vote for him.\" That is worthy of being crazy about the real thing! When did the anti-Trump crazy refugees follow the example? It seemed like bluntly declaring \"Even if Mr. Biden helped the CSBV win, made me lose his country, insulted me, did not allow me to enter the US as a refugee, I still vote for him\". Another question for the elders still embracing the Four Books Ngu Kinh: what do you think about Biden's family morality when his second son caressed and openly lived with his sister-in-law who had just become a widow. father, leaving his wife and three children, but the father, old Biden fully supported? (20) ⭕️ FOREIGN CURRENCY In 1990, Saddam Hussein invaded Kuwait. The whole world condemns. President Bush established a huge military force with the participation of nearly one million troops from 35 countries around the world. The US Congressional bicameral voted to allow President Bush to fight. TNS Biden is a rare voice against because it is said that Saddam has hundreds of thousands of extremely friendly Guardians and also has very dangerous chemical weapons for American soldiers. After 9/11, the world believed that Saddam had an arsenal of chemical and biological weapons that threatened the US and the world. President Bush was voted by the bicameral parliament to fight Iraq to eliminate this threat. TNS Biden cheerfully supported. With the discovery that Iraq does not have an arsenal of collective killers, the war is seen as a great mistake because based on the world's false intelligence was deceived by Saddam. TNS Biden then refused, arguing that he was deceived by President Bush, thinking that the US just \"threatened\" to send troops over to protect weapons inspection teams, not to fight for real. In 2010, the New York Times wrote an article, sarcastically asked \"When was the last time PTT Biden true about anything?\" (When was the last time Biden was right about anything?). (21) In 2011, listening to the words of the radical ladies Hillary Clinton, Susan Rice, Samantha Power, President Obama beat Libya and killed President Khaddafi, then ran away, leaving the ambassador to be killed, leaving a chaotic Libya. with half a dozen militant Muslim groups fighting and killing each other for nearly 10 years. President Obama later admitted it was his biggest foreign policy mistake. PTT Biden supported most strongly against Libya and later praised it as a great achievement of Obama. (22). In 2012, the Obama administration was reported to have found Bin Laden, but not 100% sure. President Obama meets with the National Security Council in principle to consult with everyone, but in fact, the way to cover the blanket, push the committee to take responsibility for decision, after success, President Obama beats his chest to show off. If you fail, it will be the committee's decision. President Obama, according to the majority opinion, decided to raid, and it is true that the real Bin Laden, this man was killed. Biden was against the raid to kill Bin Laden because he was afraid of false news that he ran into Pakistan. (23) ⭕️ 'TAKING ONLY' TTDC tries to bring out the image of a serious, mature, honest and honest Biden ... although it is often mistaken, but absolutely honest and virtuous. Isn't that awake? Newsweek magazine, the radical anti-Trump type is dead, recently published a long, disturbing post about Biden. According to Newsweek, Biden's prankster-plagiarism proves that he does not have a vision of leadership, does not have a clear policy or path of his own, but only knows how to gather people's opinions. Which is most dangerous, are the opposing opinions that she still put all of her in the porridge pot of her heart. Initially, he ran to run as President Obama for the 3rd term, promising to continue doing all that President Obama has done but not yet finished. After failing continuously in the first preliminary elections, he did not mention Obama anymore, and began to turn left to contend for the votes of the old husband of Sanders and his wife Warren. He defeated two communist grandmothers, the main part thanks to flattering the black people in South Carolina and initially won here, eliminated the two dignitaries, but looking at the experience of Mrs. Hillary lost her election because of her young radical electoral block. Sanders then boycotted Ms. Hillary, who played the disgrace card, cooperated with Sanders in a protocol, gave in to the extremists a lot, especially in the medical program, she opened the door. for the 'Medicare For All' policy of the radical left-wing radical, accepting the majority of students' college debt forgiveness,pledged to choose radical women to stand with the consortium, ... Then he turned to the conservative voters of President Trump, 'temporarily holding' President Trump's America First chant to chant US purchases. Newsweek recalled that Biden in the past had a record of stealing from his law student days, and then when he ran for the presidency in 1988, stole the entire speech of the leader of the British Labor Party, Neil Kinnock. (24) ⭕️ Courage the Founder Group, denouncing \"Mr. Trump went into the basement [15 minutes] when people came to protest in front of the White House, proving he was a coward\". How brave is Biden hiding in the basement of the house for almost half a year? ⭕️ CORRUPTION Biden, personally, has not been directly involved in any corruption case by the press. However, his intervention for his son Hunter Biden in a hundred million silver transactions with Ukraine and China has never been fully cleared by Biden. Many questions have yet to be answered. We invite readers to read the article on DTC about 'luggage' of old Biden. (25) ⭕️ CONCLUSION Mr. Biden is a man who has been rolling around in politics for nearly half a century, has a treasure trove of achievements for his opponents to find trash, especially he specializes in gossiping, making mistakes, accumulated mistakes. story. The Washington Post had to write, \"No, Biden is not just a trivial machine, he's a Lamborghini of gossip\". Lamborghini is the most expensive 'super luxury' car. (26) Ignoring all these minor missteps, Biden is now punching his chest to run to save America because this country has so many basic bad conditions such as color discrimination, poverty, immigration, gunfire bullets, ... All of these are great problems that date back to countless centuries. The question is that Biden has been sleeping in the highest positions of government for almost half a century, what part of his responsibility in those affairs? What have you done during the past half century? Why do we just wake up? Looking at the process above, how can a specialist who make wrong decisions, specialize in misleading, can effectively oppose the COVID translation, stop riot, control the Antifa and the Lo Lo, and restore the economy? , fending off Russian and Chinese hegemony, cutting a cow's tongue in the South China Sea, handcuffing Mr. Warm Warm,…? In conclusion, the CCP would like to borrow from Mr. Robert Gates, former Defense Minister of President Obama: \"Biden's achievement is a long chain of wrong decisions\". (27) President Biden ??? !!! Sincerely respect Uncle Sam. @ andrew An Nguyen (from Vu Linh) <> <> <> DOCUMENTATION ")
(2) https://thehill.com/hilltv/442351-an...tely-incorrect (3) https: // theintercept. com / 2020/01/13 / ... cial-security / (4) https://www.foxbusiness.com/politics...iest-americans
(6) https://nymag.com/intelligence2019. ..explained.html (7) https://www.cbsnews.com/news/bidens-...ffle-feathers/ (8) https://www.cnn.com/2007/POLITICS/01/31/biden.obama/ (9) https://www.washingtonexaminer.com/p...ts-and-sit-ins (10) https : //www.chicagotribune.com/colum...lji-story.html (11) https://www.foxnews.com/politics/bid...f-hes-a-junkie (12) https: / /thehill.com/homenews/campaig...virus-outbreak (13) https://www.washingtonexaminer.com/w...re-obamas-idea (14) https://www.heritage.org/immigration ... trations-fault (15) https://www.foxnews.com/politics/bid...defund-embrace (16) https://www.nytimes.com/2019/06/06/u .. .amendment.html (17) https://www.cbsnews.com/pictures/pol...ex-marriage/2/ (18) https://www.reddit.com/neoliberal/...ired_by_obama/ (19) https://www.theguardian.com/world/20..._b-aplnews_d-1 (20) https://www.refinery29.com/en-us/201...en-ex-kathleen (21) https://www.theatlantic.com/internat...g-call/332431/ (22) https://wbsm.com/obama-backed-this-l...unsel-opinion/ (23) https: //www.washingtonexaminer.com/n...bin-laden-raid (24) https://www.realclearpolitics.com/ar...em_143788.html (25) https: //diendantraichieu.blogspot.co...-cu-biden.html (26) https://www.washingtonpost.com/opini...e70_story.html (27) https://www.realclearpolitics.com /en..._question.html
submitted by NamNguyen56 to u/NamNguyen56 [link] [comments]


2020.08.20 22:54 littlepotofstew My dad in the early 80's looking like Hyde from that 70's show

My dad in the early 80's looking like Hyde from that 70's show submitted by littlepotofstew to OldSchoolCool [link] [comments]


That 70s Show - Hyde manipulative burn master - YouTube That '70s Show - Funniest Scenes - 6x24 - YouTube That 70s show - How to be zen by Hyde - YouTube That '70s Show - Funniest Scenes - 2x07 2/2 - YouTube That '70s Show - Funniest Scenes - 1x18 3/3 - YouTube Red Shoots Hyde - That 70's Show - YouTube That '70s Show - Funniest Scenes - 2x25 4/4 - YouTube That '70s Show - Funniest Scenes - 6x11 2/2 - YouTube That 70's Show - Best of Steven Hyde [HD] - YouTube That 70s Show Eric Meet Hyde - YouTube

Actor Daniel Masterson, who played 'Hyde' on That '70s ...

  1. That 70s Show - Hyde manipulative burn master - YouTube
  2. That '70s Show - Funniest Scenes - 6x24 - YouTube
  3. That 70s show - How to be zen by Hyde - YouTube
  4. That '70s Show - Funniest Scenes - 2x07 2/2 - YouTube
  5. That '70s Show - Funniest Scenes - 1x18 3/3 - YouTube
  6. Red Shoots Hyde - That 70's Show - YouTube
  7. That '70s Show - Funniest Scenes - 2x25 4/4 - YouTube
  8. That '70s Show - Funniest Scenes - 6x11 2/2 - YouTube
  9. That 70's Show - Best of Steven Hyde [HD] - YouTube
  10. That 70s Show Eric Meet Hyde - YouTube

That Disco Episode- Red Forman shoots Steven Hyde. Bob tells Red about Hyde and Kitty, and Red goes along with it. See Bob's expression at the end ; ) Funniest scenes from That '70s Show. • Hyde and Fez play rock, paper, scissors. • Hyde's version of rock, paper, scissors. • Eric doesn't show up at the wedd... Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube. Funniest scenes from That '70s Show. • Jackie decorates Hyde's room. • Bob gives Red a pair of shoes. ***I do not own anything. All the rights belong to auth... Funniest scenes from That '70s Show. • Hyde, Fez and Edna on Career Day. ***I do not own anything. All the rights belong to authors of That '70s Show. Copyri... He manipulate Eric to talk about the sex in front his mother before she leaved the room, He knew Eric was 'Hyped up' to talk about it, and she didnt left yet... Funniest scenes from That '70s Show. • Kelso's fudgsicle. • Laurie makes fun of Kelso's jacket. • Kelso and Hyde fight over the jacket. • Red helps Bob get b... Like / Comment / Subscribe! Funniest scenes from That '70s Show. • Hyde teaches Jackie how to be cool. • Kelso comes over for dinner at the Formans. • Jackie fights Laurie. ***I do not ... Hyde explains to Jackie how to be cool